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Language Arts & Disciplines : Publishing

Publishing eBooks

You have selected the subject of Publishing. The eBooks in this subject are listed below.

RESULTS: 31 to 40 of 49
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Iconography and the Professional Reader
By: Kerby-Fulton, Kathryn; Despres, Denise L.
Published by: University of Minnesota Press

Kathryn Kerby-Fulton and Denise L. Despres examine the only extant manuscript of William Langland’s fourteenth-century work Piers Plowman that is both illustrated and annotated, for what it can tell us about the politics of late-medieval manuscript preparation and the scholarly direction of manuscript use. more...

Price: $60.00


The Impact of Electronic Publishing
By: Brown, David J.; Boulderstone, Richard
Published by: K.G.Saur

The title aims to quantify the future size of the electronic publishing industry, and provides practical data to support investment decisions in information systems for electronic media and serves as an aid to forward planning. The Impact of Electronic Publishing is the new, second edition of the popular 1996 title 'Electronic Publishing and Libraries: Planning for the Impact and Growth to 2003', resulting from the need for accurate, up-to-date information in the face of fast changing technologies. Two improvements in particular make this edition stand out: on the one hand, material is structured according fields significant to electronic publishing, which makes finding the information desired even easier. On the other hand, the larger format of this edition allows it to present the detailed diagrams more clearly. Further, all sources of the original book are revised and updated. more...

Price: $123.00


Indian Ink
By: Ogborn, Miles
Published by: The University of Chicago Press

A commercial company established in 1600 to monopolize trade between England and the Far East, the East India Company grew to govern an Indian empire. Exploring the relationship between power and knowledge in European engagement with Asia, Indian Ink examines the Company at work and reveals how writing and print shaped authority on a global scale in the seventeenth and eighteenth centuries.Tracing the history of the Company from its first tentative trading voyages in the early seventeenth century to the foundation of an empire in Bengal in the late eighteenth century, Miles Ogborn takes readers into the scriptoria, ships, offices, print shops, coffeehouses, and palaces to investigate the forms of writing needed to exert power and extract profit in the mercantile and imperial worlds. Interpreting the making and use of a variety of forms of writing in script and print, Ogborn argues that material and political circumstances always undermined attempts at domination through the power of the written word.Navigating the juncture of imperial history and the history of the book, Indian Ink uncovers the intellectual and political legacies of early modern trade and empire and charts a new understanding of the geography of print culture. more...

Price: $40.00


Little Magazines
By: Whittemore, Reed
Published by: University of Minnesota Press

more...

Price: $36.00


Magazines Handbook
By: McKay, Jenny
Published by: Routledge

The Magazines Handbook is a comprehensive introduction to the magazine industry. Tracing the development of magazine publishing, Jenny McKay explores the business of magazines and the role of the magazine journalist. more...

Price: $33.95


Managing Your Academic Career
By: Sadler, D. Royce
Published by: Allen & Unwin

This text provides advice and information for academics across disciplines, including: how to establish networks; how to assess your prospects for promotion; how to climb out of a teaching rut; how to develop a theme for your journal publication; and how to convert your thesis into a book. more...

Price: $23.95


The Most Disreputable Trade
By: Bonnell, Thomas F.
Published by: OUP Oxford

This fascinating book probes the origins of mass-market series of literary 'classics'. Highly informative about the book trade in the late eighteenth and early nineteenth centuries, Bonnell's study is also rich in details about book illustration, copyright law, canon formation, consumer culture, and the history of reading. - ;A publishing phenomenon began in Glasgow in 1765. Uniform pocket editions of the English Poets printed by Robert and Andrew Foulis formed the first link in a chain of literary products that has grown ever since, as we see from series like Penguin Classics and Oxford World Classics. Bonnell explores the origins of this phenomenon, analysing more than a dozen multi-volume poetry collections that sprang from the British press over the next half century. Why such. collections flourished so quickly, who published them, what forms they assumed, how they were marketed and advertised, how they initiated their readers into the rites of mass-market consumerism, and what role they played in the construction of a national literature are all questions central to the study. The collections played out against an epic battle over copyright law, and involved fierce contention for market share in the 'classics' among rival publishers. It brought despair to the most powerful of London printers, William Strahan, who prophesied that competition of this nature would ruin bookselling, turning it into 'the most pitiful, beggarly, precarious, unprofitable, and disreputable Trade in Britain'. Samuel Johnson's Lives of the Poets were part of such a collection, dubbed 'Johnson's Poets'. The third edition of this collection, published in 1810, brought the national project to its high water mark: it contained 129 poets, plus extensive translations from the Greek and Roman classics. By this point, all the features that characterize modern series of vernacular classics had been established, and never since has such an ambitious expr more...

Price: $99.00


The Nature of the Book
By: Johns, Adrian
Published by: The University of Chicago Press

In The Nature of the Book, a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas—commercial, intellectual, political, and individual."A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."—Alberto Manguel, Washington Times"[A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned primer."—D. Graham Burnett, New Republic"A detailed, engrossing, and genuinely eye-opening account of the formative stages of the print culture. . . . This is scholarship at its best."—Merle Rubin, Christian Science Monitor"The most lucid and persuasive account of the new kind of knowledge produced by print. . . . A work to rank alongside McLuhan."—John Sutherland, The Independent"Entertainingly written. . . . The most comprehensive account available . . . well documented and engaging."—Ian Maclean, Times Literary Supplement more...

Price: $35.00


The Oxford History of the Irish Book, 3
By: Gillespie, Raymond (ed.); Hadfield, Andrew (ed.)
Published by: OUP Oxford

Volume III of the Oxford History of the Irish Book outlines the impact of the rise of print in early modern Ireland in a series of groundbreaking essays, charting the development of a print culture in Ireland and the transformations it brought to conceptions of politics, religion, and literature. This is an authoritative volume with essays by key scholars that will be the standard guide for many years to come. - ;The Oxford History of the Irish Book is a major new series that charts the development of the book in Ireland from its origins within an early medieval manuscript culture to its current incarnation alongside the rise of digital media in the twenty-first century. Volume III: The Irish Book in English, 1550-1800 contains a series of groundbreaking essays that seek to explain the fortunes of printed word from the early Renaissance to the end of the eighteenth century. The essays in section one explain the development of print culture in the period, from its first incarnation in the small area of the English Pale around Dublin, dominated by the interests of the English authorities, to the more widespread dispersal of the printing press at the. close of the eighteenth century, when provincial presses developed their own character and style either alongside or as a challenge to the dominant intellectual culture. Section two explains the crucial developments in the structure and technical innovation of the print trade; the role played by private and. public collections of books; and the evidence of changing reading practices throughout the period. The third and longest section explores the impact of the rise of print. Essays examine the effect that the printed book had on religious and political life in Ireland, providing a case study of the impact of the French Revolution on pamphlets and propaganda in Ireland; the transformations illustrated in the history of historical writing, as well as in literature and the theatre, through the. publication of play texts for more...

Price: $195.00


Print Culture and the Medieval Author
By: Gillespie, Alexandra
Published by: OUP Oxford

Alexandra Gillespie takes a new look at hundreds of neglected old books containing works by Chaucer, the 'father' of English poetry, and his much-maligned follower, John Lydgate. She demonstrates that the shift from manuscript to print was part of the controversial process by which Chaucer earned his exclusive place in English literary history. - ;Print Culture and the Medieval Author is a book about books. Examining hundreds of early printed books and their late medieval analogues, Alexandra Gillespie writes a bibliographical history of the poet Geoffrey Chaucer and his follower John Lydgate in the century after the arrival of printing in England. Her study is an important new contribution to the emerging 'sociology of the text' in English literary and historical studies. At the centre of this study is a familiar question: what is an author? The idea of the vernacular writer was already contested and unstable in medieval England; Gillespie demonstrates that in the late Middle Ages it was also a way for book producers and readers to mediate the risks - commercial, political, religious, and imaginative - involved in the publication of literary texts. Gillespie's discussion focuses on the changes associated with the shift to print, scribal precedents for these changes, and contemporary understanding of them. The treatment of texts associated with Chaucer and Lydgate is an index to the sometimes flexible, sometimes resistant responses of book printers, copyists, decorators, distributors, patrons, censors, owners, and readers to a gradual but profoundly influential bibliographical transition. The research is conducted across somewhat intractable boundaries. Gillespie writes about medieval and modern history; about manuscript and print; about canonical and marginal authors; about literary works and books as objects. In the process, she finds new meanings for some medieval vernacular texts and a new place for some old books in a history of English cult more...

Price: $110.00


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RESULTS: 31 to 40 of 49


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