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Film eBooks
You have selected the subject of Film. The eBooks in this subject are listed below.
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RESULTS: 91 to 100 of 759
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Brand Hollywood
By: Grainge, Paul
Published by: Routledge
Branding has become central to the modern blockbuster economy. In a wide-ranging analysis focusing on companies such as Disney, Dolby, Paramount, New Line and, in particular, Warner Bros., Brand Hollywood provides the first sustained examination of the will-to-brand in the contemporary movie business. .
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Price: $34.95
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Breaking In
By: Jarecki, Nicholas
Published by: Broadway Books
A naked-truth collection of interviews with today’s hottest film directors detailing how they made their first films and "broke into" the movie industry. When Nicholas Jarecki graduated from New York University’s film school at the age of nineteen, he knew that he wanted to make movies, but the fortress-like wall around the film industry proved hard to crack.
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Price: $14.95
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Bringing to Light
By: Bryson, Ian
Published by: Aboriginal Studies Press
The title Bringing to Light has two meanings. First, this book is an act of bringing to light a history that was gradually becoming mythologised, in part because the ethnographic films of the past are now rarely seen. Second, much of the filmmaking discussed in this book was motivated by a desire to bring to the light of film the socio-cultural life of Australias Indigenous peoples.
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Price: $31.00
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British Cinema in the 1950's
By: MacKillop, I. D.
Published by: Manchester University Press
This re-evaluation of what has until now been seen as the most critically lacklustre period of the British film history covers a variety of genres, such as B-movies, war films, women's pictures and theatrical adaptations, as well as social issues which affect film-making, such as censorship.
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Price: $74.95
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British Cinema of the 1950s
By: Harper, Sue; Porter, Vincent
Published by: OUP Oxford
In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Harper and Porter explore the effects of social, cultural, and economic change on the 1950s film industry in Britain, looking in particular at the impact of the rise of television, successive changes in government policy, and the. collapse of the studio system. - ;In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of. feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of the studio system. also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social, cultural, industrial, and economic changes on 1950s British cinema. -
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Price: $209.25
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British Crime Cinema
By: Chibnall, Steve (ed.); Murphy, Robert (ed.)
Published by: Routledge
The first substantial study of this neglected genre, British Crime Cinema stresses the centrality of the crime film to understanding masculinity in British cinema, and the shifting gender relations of postward Britain.
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Price: $35.95
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British Film Directors
By: Shail, Robert
Published by: Edinburgh University Press
British national cinema has produced an exceptional track record of innovative, creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast.
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Price: $104.99
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British Horror Cinema
By: Chibnall, Steve (ed.); Petley, Julian (ed.)
Published by: Routledge
Going beyond the Hammer, British Horror Cinema investigates a wealth of horror filmmaking in Britain from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man.
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Price: $35.95
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British National Cinema
By: Street, Sarah
Published by: Routledge
The eclectic nature of British cinema is confirmed by an examination of genres from the Ealing comedies to heritage films. Viewed against the social, financial and political background, this is an indespensible evaluation of British cinema.
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Price: $140.00
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British National Cinema
By: Street, Sarah
Published by: Routledge
With films as diverse as Bhaji on the Beach, The Dam Busters, Trainspotting, The Draughtsman's Contract, Prick Up Your Ears, Ratcatcher and This Is England , British cinema has produced wide-ranging notions of British culture, identity and nationhood. British National Cinema is a comprehensive introduction to the British film industry within an economic, political and social context. Illustrated with over 30 stills from classic British films, this revised and updated new edition provides an accessible and comprehensive exploration of the fascinating development of British cinema.
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Price: $37.95
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RESULTS: 91 to 100 of 759
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