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Performing Arts : Film

Film eBooks

You have selected the subject of Film.
The eBooks in this subject are listed below.

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RESULTS: 51 to 60 of 891
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All that Hollywood Allows
By: Byars, Jackie
Published by: Routledge

Both a work of feminist film criticism and an analysis of popular culture, this provocative book examines from a cultural studies perspective top film melodramas such as From Here to Eternity, A Streetcar Named Desire and East of Eden . more...

Price: $39.95


Allegorical Images
By: Langford, Michelle
Published by: Intellect

Werner Schroeter is one of the most important and influential directors of the New German Cinema, yet discussion of his films within film theory has been intermittent and un-sustained. This book provides a long-overdue introduction to Schroeter’s visually lavish, idiosyncratic and conceptually rich cinema, situating its emergence within the context of the West German television and film subsidy system during the 1970s, then moving on to engage with some of the most pertinent and important arguments in contemporary film theory. more...

Price: $10.00


Allegories of Underdevelopment
By: Xavier, Ismail
Published by: University of Minnesota Press

Focusing on a variety of filmmaker's use of narrative allegories for the “conservative modernization” Brazil and other nations underwent in the 1960s and 1970s, Ismail Xavier examines the way Cinema Novo transformed Brazil's cultural memory. Includes discussions of Black God, White Devil, Land in Anguish, Red Light Bandit, Macunaíma, Antônio das Mortes, The Angel Is Born, and Killed the Family and Went to the Movies. more...

Price: $67.50


Alternative Scriptwriting
By: Dancyger, Ken; Rush, Jeff
Published by: Focal Press (Elsevier Science & Technology Books)

Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional three-act structure, Alternative Scriptwriting first defines conventional approach, suggests alternatives, then provides case studies. These contemporary examples and case studies demonstrate what works, what doesn't, and why. Because the film industry as well as the public demand greater and greater creativity, one must go beyond the traditional three-act restorative and predictable plot to test your limits and break new creative ground. Rather than teaching writing in a tired formulaic manner, this book elevates the subject and provides inspiration to reach new creative heights. more...

Price: $33.95


Alternative Worlds in Hollywood Cinema
By: Walters, James
Published by: Intellect

Alternative worlds in films such as The Wizard of Oz, It’s a Wonderful Life, Donnie Darko and Eternal Sunshine of the Spotless Mind offer similarities and resonances to our world, but provide a way for filmmakers to address the human condition by forming a sincere and serious connection with everyday life. An illuminating new book explores the history, background and meaning of films that feature alternative worlds – films in which characters cross back and forth between another world and our own, which bring out correspondences and resonances between the worlds they depict. The popularity of such films suggests a need to engage with important themes during troubling times, as well as to be entertained and transported, says author James Walters – rather than merely constituting part of the wider trend of adults finding comfort in books and films ostensibly for children. The films discussed in the book use the fantasy of an alternative world to debate a series of universal conditions associated with human experience: insecurity, ambition, loneliness, apprehension, bravery, vanity, inarticulateness, anxiety, ambiguity, introversion, love, and so on. Because these films are often viewed as Hollywood ‘product’ they don’t always have the intellectual cachet of European films dealing with similar themes, but Walters suggests that there is complexity and depth behind these superficially light films. Traditionally, Realist cinema has dealt with weighty issues, but increasingly films featuring alternative worlds offer an engaging way of dealing with ‘serious’ content and issues. In each of the films discussed the flight from the real world results in characters having to face reality again, equipped with new knowledge and experience, enabling them to find a way of living there from that day on. more...

Price: $10.00


American Cinema of the 1910s
By: Keil, Charlie (ed.); Singer, Ben (ed.)
Published by: Rutgers University Press

It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies. more...

Price: $22.00


American Cinema of the 1930s
By: Hark, Ina Rae
Published by: Rutgers University Press

Probably no decade saw as many changes in the Hollywood film industry and its product as the 1930s did. At the beginning of the decade, the industry was still struggling with the transition to talking pictures. Gangster films and naughty comedies starring Mae West were popular in urban areas, but aroused threats of censorship in the heartland. Whether the film business could survive the economic effects of the Crash was up in the air. By 1939, popularly called “Hollywood’s Greatest Year,” films like Gone with the Wind and The Wizard of Oz used both color and sound to spectacular effect, and remain American icons today. The “mature oligopoly” that was the studio system had not only weathered the Depression and become part of mainstream culture through the establishment and enforcement of the Production Code, it was a well-oiled, vertically integrated industrial powerhouse. The ten original essays in American Cinema of the 1930s focus on sixty diverse films of the decade, including Animal Crackers, Dracula, The Public Enemy, Trouble in Paradise, 42nd Street, King Kong, Imitation of Life, It Happened One Night, Mutiny on the Bounty, The Adventures of Robin Hood, Swing Time, Nothing Sacred, Jezebel, Mr. Smith Goes to Washington, and Stagecoach. more...

Price: $17.00


American Cinema of the 1960s
By: Grant, Barry Keith (ed.)
Published by: Rutgers University Press

The profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women’s liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest. At the same time, American cinema underwent radical change as well. The studio system crumbled, and the Production Code was replaced by a new ratings system. Among the challenges faced by the film industry were the dawning shift in theatrical exhibition from urban centers to surburban multiplexes, an increase in runaway productions, the rise of independent producers, and competition from both television and foreign art films. Hollywood movies became more cynical, violent, and sexually explicit, reflecting the changing values of the time. In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. Among the films discussed are Elmer Gantry, The Apartment, West Side Story, The Manchurian Candidate, To Kill a Mockingbird, Cape Fear, Bonnie and Clyde, 2001: A Space Odyssey, Midnight Cowboy, and Easy Rider. more...

Price: $22.00


American Cinema of the 1970s
By: Friedman, Lester D.
Published by: Rutgers University Press

A smug glance at the seventies—the so-called “Me Decade”—unveils a kaleidoscope of big hair, blaring music, and broken politics—all easy targets for satire, cynicism, and ultimately even nostalgia. American Cinema of the 1970s, however, looks beyond the strobe lights to reveal how profoundly the seventies have influenced American life and how the films of that decade represent a peak moment in cinema history. Far from a placid era, the seventies was a decade of social upheavals. Events such as the killing of students at Kent State and Jackson State universities, the Watergate investigations, the legalization of abortion, and the end of the American involvement in Vietnam are only a few among the many landmark occurrences that challenged the foundations of American culture. The director-driven movies of this era reflect this turmoil, experimenting with narrative structures, offering a gallery of scruffy antiheroes, and revising traditional genre conventions. Bringing together ten original essays, American Cinema of the 1970s examines the range of films that marked the decade, including Jaws, Rocky, Love Story, Shaft, Dirty Harry, The Godfather, Deliverance, The Exorcist, Shampoo, Taxi Driver, Star Wars, Saturday Night Fever, Kramer vs. Kramer, and Apocalypse Now. more...

Price: $17.00


American Cinema of the 1980s
By: Prince, Stephen (ed.)
Published by: Rivergate Books

During the 1980s, American cinema underwent enormous transformations. Blockbusters like Raiders of the Lost Ark, E.T., and The Empire Strikes Back grabbed huge revenues for the studios. At the same time, the growth of home video led to new and creative opportunities for independent film production, resulting in many of the decade’s best films. Both large- and small-scale filmmakers responded to the social, political, and cultural conditions of the time. The two-term presidency of Ronald Reagan spawned a new Cold War with the Soviet Union, which Hollywood film both embraced and critiqued. Also during this time, Hollywood launched a long-awaited cycle of films about the Vietnam War, exploring its impact both at home and abroad. But science fiction remained the era’s most popular genre, ranging from upbeat fantasies to dark, dystopic visions. Bringing together original essays by ten respected scholars in the field, American Cinema of the 1980s examines the films that marked the decade, including Ordinary People, Body Heat, Blade Runner, Zelig, Platoon, Top Gun, Aliens, Blue Velvet, RoboCop, Fatal Attraction, Die Hard, Batman, and sex, lies & videotape. more...

Price: $17.00


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RESULTS: 51 to 60 of 891


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