Literary Criticism : American

The thirty-five essays and memoirs about Allen Tate which are collected in this volume along with the introduction by Radcliffe Squires provide a perceptive, many-windowed view of Tate’s work and his life. Poet, critic, novelist -- Tate is all of these, more...

Price: $72.00

American Elegy reconnects the study of early American poetry to the broadest currents of literary and cultural criticism. Max Cavitch begins by considering eighteenth-century elegists such as Franklin and Bradstreet. He then turns to elegy's adaptations during the Jacksonian age. Devoting unprecedented attention to the early African-American elegy, Cavitch sees in the poems the development of an African-American genealogical imagination. more...

Price: $67.50

Drawing on feminist and Foucauldian theory, Quinby offers a powerful critique of the millenarian rhetoric that pervades American culture. Tracing the deployment of power through systems of alliance, sexuality, and technology, the author promotes a variety of critical stances—genealogical feminism, an ethics of the flesh, and “pissed criticism”—as challenges to apocalyptic claims for absolute truth and universal morality. more...

Price: $60.00

Traces the intimate relationship between the texts published by Willa Cather and William Faulkner between 1922 and 1962. more...

Price: $40.00

Better Red is an interdisciplinary study addressing the complicated intersection of American feminism and the political left as refracted in Tillie Olsen's and Meridel Le Sueur's lives and literary texts. The first book-length study to explore these feminist writers' ties to the American Communist Party, it contributes to a reenvisioning of 1930s U.S. Communism as well as to efforts to promote working-class writing as a legitimate category of literary analysis. At once loyal members of the male-dominated Communist party and emerging feminists, Olsen and Le Sueur exhibit in their writing tendencies both toward and away from Party tenets and attitudes--at points subverting formalist as well as orthodox Marxist literary categories. By producing working-class discourse, Olsen and Le Sueur challenge the bourgeois assumptions--often masked as classless and universal--of much canonical literature; and by creating working-class women's writing, they problematize the patriarchal nature of the Left and the masculinist assumptions of much proletarian literature, anticipating the concerns of "second wave" feminists a generation later.  more...

Price: $60.00