Performing Arts : Television

The basics of TV technology with no engineering degree required! more...

Price: $35.95

From film festivals to university campuses, from private homes to first-run theaters, people everywhere are viewing and discussing gay, lesbian, queer, bisexual, and transgender films and videos. Between the Sheets, In the Streets considers these videos and films, testifying to the unavoidable connections between sexuality (the sheets) and activism (the streets) for all who identify as gay, lesbian, or queer in the 1990s. This first collection of essays to focus exclusively on queer, lesbian, and gay documentary argues that documentary films and videos speak with a sense of political and social urgency, acting as testaments to the importance of reclaiming history and asserting the importance of these points of view. Among the topics discussed are representations of young queers on such shows as MTV’s The Real World; pre-Stonewall films; portrayals of lesbians and aging; video activism in Oregon and the South; and the works of Derek Jarman, Su Friedrich, Cheryl Dunye, and Sadie Benning. A range of films and videos is examined, including Strangers in Good Company, Paris Is Burning, Juggling Gender, Silverlake Life, and Without You I’m Nothing. Tracing an exhilarating range of perspectives and subject positions, Between the Sheets, In the Streets is an essential guide to current developments in queer, lesbian, and gay documentary. Contributors: Chris Cagle, Linda Dittmar, Lynda Goldstein, Ronald Gregg, Janet Jakobsen, Lynda McAfee, Kathleen McHugh, Beverly Seckinger, Marc Siegel, Chris Straayer, Erika Suderburg, Thomas Waugh, and Justin Wyatt. more...

Price: $99.00

An analysis of the television phenomenon of the early 21st century - Reality TV, exploring its cultural and political meanings, explaining the genesis of the form and its relationship to television production, and considering how it connects with, and breaks away from, factual and fictional conventions in television. more...

Price: $90.50

When Jeffrey Stepakoff was graduating with an MFA in playwriting, he imagined a life in the New York theater, wearing a beret and smoking clove cigarettes. Writing for the “boob tube” didn’t even cross his mind. But he ended up in L.A. in the late 80’s, when television writers were experiencing their equivalent of a gold rush. After the billion- dollar syndication of Seinfeld, when studios were paying astronomical amounts of money to writers to create the next Friends or ER, the sudden mania for scripted entertainment made the TV writer a hot commodity. He found himself meeting with big agents, inside primetime story rooms, pitch meetings, and on the set of some of TVs most popular shows, and making more money than he’d ever thought possible. Weaving his personal story with television’s, Stepakoff takes us behind the scenes to show what it’s like to have a story idea one week and see it come to life and be seen by millions of people just a week later. Stepakoff also takes us inside the industry to explain what we’re watching and why by exploring the growing problems of media consolidation, the effects of interference from executives, the lack of diversity, and what reality television is doing to quality scripted television. When the market crashed and the dust settled, TV executives and the media conglomerates they worked for were sitting on a broken business model. Slowly, a new programming idea began to take hold—what if the writer and their salaries were removed from the equation? Reality TV was born and the TV writer suddenly became obsolete— at least temporarily. more...

Price: $15.00

Bloodbath is a must-read for every Australian in the media industry, every parent raising a child, every woman who ever strove for career success, and anyone interested in how leadership works. more...

Price: $45.00