History : Historiography

Constantine: History, Historiography and Legend examines the reign of Constantine, the first Christian emperor and the founder of Constantinople, from a variety of angles: historical, historiographical and mythical. more...

Price: $130.00

Smith reexamines German continuities and sheds new light on nationalism, anti-Semitism and genocide. more...

Price: $18.00

This volume offers an unusual, interdisciplinary collaboration of scholars working on the major regions of the global South. The authors probe important episodes of resistance in the colony and postcolony for the light they shed on the vexed notion of counterhegemony, enriching our notion of resistance and pointing to new directions for research. more...

Price: $69.95

Essays from some of Australia's leading historians showing how Australian history has been rewritten in the past twenty years to accommodate different notions of Australian identity. more...

Price: $28.00

Billie Melman takes us on a panoramic voyage of the 'culture of history' which developed in England after the French Revolution. She vividly recovers unexplored aspects of popular history, and unpicks notions of the uncosy past, a place of pleasurable horror and sensationalism, which survived into the 1950s. - ;In this original and widely researched book, Billie Melman explores the culture of history during the age of modernity. Her book is about the production of English pasts, the multiplicity of their representations and the myriad ways in which the English looked at history (sometimes in the most literal sense of 'looking') and made use of it in a social and material urban world, and in their imagination. Covering the period between the Napoleonic Wars and the Coronation of 1953, Melman recoups the work of antiquarians, historians, novelists and publishers, wax modellers, cartoonists and illustrators, painters, playwrights and actors, reformers and educationalists, film stars and their fans, musicians and composers, opera-fans, and radio listeners. Avoiding a separation between 'high' and 'low' culture, Melman analyses nineteenth-century plebeian culture and twentieth-century mass-culture and. their venues - like Madame Tussaud's Chamber of Horrors, panoramas, national monuments like the Tower of London, and films - as well as studying forms of 'minority' art - notably opera. She demonstrates how history was produced and how it circulated from texts, visual images, and sounds, to people and. places and back to a variety of texts and images. While paying attention to individuals' making-do with culture, Melman considers constrictions of class, gender, the state, and the market-place on the consumption of history. Focusing on two privileged pasts, the Tudor monarchy and the French Revolution, the latter seen as an English event and as the framework for narrating and comprehending history, Melman shows that during the more...

Price: $125.00