Literary Criticism

Brian Vickers examines the issue of what Shakespeare actually wrote, and how this is determined. Shakespeare's authorship has been claimed for two poems, 'Shall I die?' and A Funerall Elegye. Vickers shows that neither has the requisite stylistic and imaginative qualities. In other words, they are 'counterfeits', in the sense of anonymously authored works wrongly presented as Shakespeare's. He identifies John Ford as author of the Elegye. more...

Price: $81.00

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Judy offers an alternative interpretation of literacy that challenges traditional Enlightenment discourse’s claim that literacy and reason are the privileged properties of Western culture. Judy argues, on the basis of his readings of autobiographical African-American Arabic slave narratives, that through the production of the Arabic text, the African slave already had all the elements that the West attributes to “reason” before his original introduction to Western culture—a literacy that already mediated between Africa and Europe. more...

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This innovative book puts modernist literature in its cultural, intellectual, and global context, within the framework of the year 1913.:.; Broadens the analysis of canonical texts and artistic events by showing their cultural and global parallels.; Examines a number of simultaneous artistic, literary, and political endeavours including those of Yeats, Pound, Joyce, Du Bois and Stravinsky.; Explores Pound's Personae next to Apollinaire's Alcools and Rilke's Spanish Trilogy , Edith Wharton's The Custom of the Country next to Proust's Swann's Way more...

Price: $100.00

About Time brings together ideas about time from narrative theory and philosophy. It argues that literary criticism and narratology have approached narrative primarily as a form of retrospect, and demonstrates through a series of arguments and readings that anticipation and other forms of projection into the future offer new analytical perspectives to narrative criticism and theory. The book offers an account of ‘prolepsis’ or ‘flashforward’ in the contemporary novel which retrieves it from the realm of experimentation and places it at the heart of a contemporary mode of being, both personal and collective, which experiences the present as the object of a future memory. With reference to some of the most important recent developments in the philosophy of time, it aims to define a set of questions about tense and temporal reference in narrative which make it possible to reconsider the function of stories in contemporary culture. It also reopens traditional questions about the difference between literature and philosophy in relation to knowledge of time. In the context of these questions, the book offers analyses of a range of contemporary fiction by writers such as Ali Smith, Ian McEwan, Martin Amis and Graham Swift. more...

Price: $119.40