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General works

Most popular at the top

  • Carte Blancheby Jessica Pitchford

    Jonathan Ball Publishers 2013; US$ 11.67

    Carte Blanche burst onto the scene in 1988 as a genre never before seen on South African television: a trail-blazer, a blend of sociological awareness, sophistication and audacity. When pay channel M-Net came up with this different and daring weekly eye-opener that pushed the envelope, it brought promise of freedom and creativity and ended a period... more...

  • Celtx Open Source Screenwriting Beginner's Guideby Ralph Roberts

    Packt Publishing 2011; US$ 26.99

    Write and market Hollywood-perfect movie scripts the free way! more...

  • Cinema Todayby Elena Oumano

    Rutgers University Press 2010; US$ 24.95

     In Cinema Today, Elena Oumano has ingeniously crafted a conversation from her personal and individual interviews with a distinguished group of international cinema legends. She follows a lively symposium-in-print format, with the filmmakers' words and thoughts grouped together under various key cinema topics. Collectively these artists reflect... more...

  • The Cinema of Alexander Sokurovby Jeremi Szaniawski

    Columbia University Press 2013; US$ 24.99

    One of the last representatives of a brand of serious, high-art cinema, Alexander Sokurov has produced a massive oeuvre exploring issues such as history, power, memory, kinship, death, the human soul, and the responsibility of the artist. Through contextualization and close readings of each of his feature fiction films (broaching many of his documentaries... more...

  • The Cinema of Christopher Nolanby Jacqueline Furby; Stuart Joy

    Columbia University Press 2015; US$ 29.99

    Over the past fifteen years, writer, producer and director Christopher Nolan has emerged from the margins of independent British cinema to become one of the most commercially successful directors in Hollywood. From Following (1998) to Interstellar (2014), Nolan?s films have explored the philosophical concerns of cinema articulated through a distinctive... more...

  • The Cinema of Clint Eastwoodby David Sterritt

    Columbia University Press 2014; US$ 24.99

    He became a movie star playing The Man With No Name, and today his name is known around the world. Measured by longevity, productivity, and profits, Clint Eastwood is the most successful actor-director-producer in American film history. This book examines the major elements of his career, focusing primarily on his work as a director but also exploring... more...

  • The Cinema of George A. Romeroby Tony Williams

    Columbia University Press 2012; US$ 15.99

    The Cinema of George A. Romero: Knight of the Living Dead is the first in-depth study in English of the career of this foremost auteur working at the margins of the Hollywood mainstream in the horror genre. In placing Romero's oeuvre in the context of literary naturalism, the book explores the relevance of the director's films within American cultural... more...

  • The Cinema of István Száboby John Cunningham

    Columbia University Press 2014; US$ 24.99

    István Szabó is one of Hungary?s most celebrated and best-known film directors, and the only Hungarian to have won an Academy Award for Best Foreign Language Film, for Mephisto (1981). In a career spanning over five decades Szabó has relentlessly examined the place of the individual in European history, particularly those caught up in the turbulent... more...

  • The Cinema of Mamoru Oshiiby Dani Cavallaro

    McFarland & Company, Inc., Publishers 2006; US$ 35.00

    Today's animation is much more than kids' stuff. Increasingly complex subject matter has produced a corresponding increase in artistic interest, and forms once specific to certain cultures have crossed borders to enjoy international popularity. Japanese animation has been particularly successful in the United States, and among the most celebrated... more...

  • The Cinema of Michael Mannby Jonathan Rayner

    Columbia University Press 2013; US$ 24.99

    Michael Mann is one of the most important American filmmakers of the past forty years. His films exhibit the existential concerns of art cinema, articulated through a conspicuous and recognizable visual style and yet integrated within classical Hollywood narrative and genre frameworks. Since his beginnings as a screenwriter in the 1970s, Mann has... more...