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Most popular at the top

  • A Little Bit Vulnerableby Janine Turner

    Dunham Books 2014; US$ 9.99

    In A Little Bit Vulnerable , actress Janine Turner opens up about her private life for the first time claiming she feels, "a little bit vulnerable." In this breathtaking sweep of her half a century of living, Janine journeys through the canyons of her life and how she sought horizons. Through the treasure chest of her private poetry to essays,... more...

  • Last Wordsby Jason Wood

    Columbia University Press 2014; US$ 29.99

    Last Words features extensive interviews with Christopher Nolan, Harmony Korine, Charlie Kaufmann, Nicolas Winding Refn, Wim Wenders, Michael Winterbottom, Christian Petzhold, and many others. Each interview is preceded by an overview of the director?s work, and the volume?s authoritative introductory essay explores the value of these directors and... more...

  • The Cinema of István Száboby John Cunningham

    Columbia University Press 2014; US$ 24.99

    István Szabó is one of Hungary?s most celebrated and best-known film directors, and the only Hungarian to have won an Academy Award for Best Foreign Language Film, for Mephisto (1981). In a career spanning over five decades Szabó has relentlessly examined the place of the individual in European history, particularly those caught up in the turbulent... more...

  • Performing Asian Transnationalismsby Amanda Rogers

    Taylor and Francis 2014; US$ 125.00

    This book makes a significant contribution to interdisciplinary engagements between Theatre Studies and Cultural Geography in its analysis of how theatre articulates transnational geographies of Asian culture and identity. Deploying a geographical approach to transnational culture, Rogers analyses the cross-border relationships that exist within and... more...

  • American and Chinese-Language Cinemasby Lisa Funnell; Man-Fung Yip

    Taylor and Francis 2014; US$ 125.00

    Critics frequently describe the influence of "America," through Hollywood and other cultural industries, as a form of cultural imperialism. This unidirectional model of interaction does not address, however, the counter-flows of Chinese-language films into the American film market or the influence of Chinese filmmakers, film stars, and aesthetics... more...

  • Hollywood Hoofbeatsby Petrine Day Mitchum; Audrey Pavia

    i5 Publishing 2014; US$ 24.95

    The horses that captured the moviegoers? hearts are the common denominator in Hollywood Hoofbeats. As author Petrine Day Mitchum writes, “the movies as we know them would be vastly different without horses. There would be no Westerns—no cowboy named John Wayne—no Gone with the Wind, no Ben Hur, no Dances with Wolves…? no War Horse, no True Grit, no... more...

  • Russian Cinemaby David Gillespie

    Taylor and Francis 2014; US$ 75.95

    Russian Cinema provides a lively and informative exploration of the film genres that developed during Russia's tumultuous history, with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others. The background section assesses the contribution of visual art and music, especially the work of the composers Shostakovich... more...

  • Spanish Cinemaby Rob Stone

    Taylor and Francis 2014; US$ 75.95

    From the surrealist films of Luis Buńuel to the colourful melodramas of Pedro Almodóvar, Spain has produced a wealth of exciting and distinctive film-makers who have consistently provided a condoning or dissenting eye on Spanish history and culture. For modern cinema-goers, it has often been the sexually-charged and colourful nature of many contemporary... more...

  • The New York Times Theater Reviews 1997-1998by C. S. Smith

    Taylor and Francis 2014; US$ 290.00

    First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company. more...

  • Parallel Linesby Guy Westwell

    Columbia University Press 2014; US$ 26.99

    Parallel Lines describes how post-9/11 cinema, from Spike Lee?s 25th Hour (2002) to Kathryn Bigelow?s Zero Dark Thirty (2012), relates to different, and competing, versions of US national identity in the aftermath of the September 11th terrorist attacks. The book combines readings of individual films (World Trade Center, United 93, Fahrenheit 9/11,... more...