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English renaissance (1500-1640)

  • 'Counterfeiting' Shakespeareby Brian Vickers

    Cambridge University Press 2002; US$ 47.00

    Vickers examines authorship claims for two poems, finding neither to be the work of Shakespeare. more...

  • 'The Tempest' and Its Travelsby Peter Hulme; William H. Sherman

    Reaktion Books 2006; US$ 24.95

    One of Shakespeare’s final plays, The Tempest is often considered a jewel in the canon of English literature. Mythic, impassioned characters dictate the action, all of which takes place on a moody, windswept island far from the shores of Great Britain. 'The Tempest' and Its Travels considers the rich legacy of this play’s productions... more...

  • 'What May Words Say . . . ?'by Inge Leimberg

    Fairleigh Dickinson 2011; US$ 74.99

    'What may words say_?' contains a comprehensive and in many respects unconventional interpretation of The Merchant of Venice. The play's development of ideas is unfolded in a literary analysis that focuses on the poet's words in their philological, historical, and philosophical contexts. more...

  • 101 Amazing Facts about William Shakespeareby Jack Goldstein

    Andrews UK 2014; US$ 2.99

    Did you know Shakespeare introduced thousands of words into the English language, amongst them alligator, eyeball and swagger? Do you know what unusual item he left to his wife in his will? Have you heard of the conspiracy theory that suggests Shakespeare didn’t write the plays we attribute to him today? This fascinating book contains over one... more...

  • 30 Great Myths about Shakespeareby Laurie Maguire; Emma Smith

    Wiley 2012; US$ 25.95

    Think you know Shakespeare? Think again . . . Was a real skull used in the first performance of Hamlet? Were Shakespeare's plays Elizabethan blockbusters? How much do we really know about the playwright's life? And what of his notorious relationship with his wife? Exploring and exploding 30 popular myths about the great playwright, this illuminating... more...

  • 31 v. Chr.by David Stuttard; Sam Moorhead

    Konrad Theiss Verlag 2013; US$ 40.74

    Nur ein einziges Mal in der Geschichte, im Epochenjahr 31 v. Chr., standen sich Rom und Ägypten in einer Seeschlacht gegenüber. Für beide Supermächte ging es um Sieg oder Untergang. Octavian, der spätere Augustus, traf an der Küste vor Actium auf den »Verräter Roms« ? wie er Marcus Antonius in seiner Propaganda nannte ? und dessen Geliebte Kleopatra,... more...

  • Absent Narratives, Manuscript Textuality, and Literary Structure in Late Medieval Englandby Elizabeth Scala

    Palgrave Macmillan 2002; US$ 117.00

    Absent Narratives is a book about the defining difference between medieval and modern stories. In chapters devoted to the major writers of the late medieval period - Chaucer, Gower, the Gawain -poet and Malory - it presents and then analyzes a set of unique and unnoticed phenomena in medieval narrative, namely the persistent appearance of missing... more...

  • The Accommodated Animalby Laurie Shannon

    University of Chicago Press 2013; US$ 45.00

    Shakespeare wrote of lions, shrews, horned toads, curs, mastiffs, and hellhounds. But the word “animal” itself only appears very rarely in his work, which was in keeping with sixteenth-century usage. As Laurie Shannon reveals in The Accommodated Animal , the modern human / animal divide first came strongly into play in the seventeenth... more...

  • Acting Shakespeareby Bertram Leon Joseph

    Taylor and Francis 2014; US$ 120.00

    How did the actors for whom Shakespeare wrote his plays make his characters come to life, how did they convey his words? Can modern directors, actors, and even library readers of Shakespeare learn from them? Creating character and making the Elizabethan playwright?s poetry compelling for the audience is a problem which has seldom been resolved in... more...

  • Acting from Shakespeare's First Folioby Don Weingust

    Taylor and Francis 2006; US$ 38.95

    Acting from Shakespeare's First Folio examines a series of techniques for reading and performing Shakespeare's plays that are based on the texts of the first ?complete? volume of Shakespeare's works: the First Folio of 1623. Do extra syllables in a line suggest how it might be played? Can Folio commas reveal character? Don Weingust places this... more...