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- Knopf Doubleday Publishing Group 2008; US$ 29.95
In 1975, David Thomson published his Biographical Dictionary of Film, and few film books have enjoyed better press or such steady sales. Now, thirty-three years later, we have the companion volume, a second book of more than 1,000 pages in one voice?that of our most provocative contemporary film critic and historian. Juxtaposing the fanciful and... more...
- Penguin Books Ltd 2008; US$ 28.19
This is possibly the most entertaining, surprising and enjoyable film book ever written. Thomson set himself the near-foolhardy task of writing one page each on 1000 of the films that he has particularly liked ? or in some cases, abhorred. Some half-million words of funny, vigorous, wayward prose later, we are all the happy beneficiaries of his deranged... more...
- Columbia University Press 2014; US$ 33.99
Anthony Slide is the author or editor of more than two hundred books on the history of popular entertainment. He has served as both associate archivist of the American Film Institute and as resident film historian of the Academy of Motion Picture Arts and Sciences. His most recent publications include Silent Players: A Biographical and Autobiographical... more...
- OUP Oxford 2009; US$ 114.99
Irish playwright J M Synge created influential but misunderstood representations of Travellers - or 'tinkers' - a minority that has existed on Ireland's margins for centuries. The first cultural history of the Traveller traces the figure from medieval Irish historiography and English Renaissance literature to contemporary screen depictions. more...
- Rutgers University Press 2007; US$ 31.95
?Un-American? Hollywood reopens the intense critical debate on the blacklist era and on the aesthetic and political work of the Hollywood Left. In a series of fresh case studies focusing on contexts of production and reception, the contributors offer exciting and original perspectives on the role of progressive politics within a capitalist media... more...
- Palgrave Macmillan 2014; US$ 95.00
In film, the femme fatale has long been constructed as a beautiful heterosexual Caucasian woman. Da Silva shows the need to incorporate diverse ethnic groups and male homosexuals into the range of "femmes" fatales and examines how the Brazilian representations cross gender, race, and class and offer alternatives to the dominant Hollywood model. more...
- HarperCollins 2014; US$ 13.99
"This chronicle of 2012 is a slice of what happened during a watershed year for the Hollywood movie industry. It's not the whole story, but it's a mosaic of what went on, and why, and of where things are heading." What changed in one Hollywood year to produce a record-breaking box office after two years of decline? How can the Sundance Festival influence... more...