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Screenwriting

Most popular at the top

  • Billy Wilderby Glenn Hopp

    Oldcastle Books 2016; US$ 7.99

    A bullet-riddled body floats in the pool of a faded screen star. A desperate wife and a crafty insurance man mix lust with murder. Two musicians flee Prohibition gangsters by joining an all-girl band. A likeable loser climbs the corporate ladder by pimping for his bosses. Only in the skewed world of Billy Wilder would such situations provide the context... more...

  • Creating Characters A-List Actors Want to Playby Script Magazine Editors; Jeanne Veillette Bowerman

    F+W Media 2016; US$ 8.99

    There's no better way to sell your script than to attract an A-List star to be a part of your film. But with thousands of scripts in circulation at all times, how can you make yours more appealing to Hollywood's most sought after performers? Creating Characters A-List Actors Want To Play is a collection of articles from Script Magazine that will... more...

  • Writing Routine and Outlookby Script Magazine Editors; Jeanne Veillette Bowerman

    F+W Media 2016; US$ 8.99

    Are you an aspiring screenwriter, but struggling to get the words on the page? So many things can come between you and the keyboard: a 9 - 5 job, writer's block, or good old-fashioned procrastination. Writing Routine and Outlook is a collection of articles from Script Magazine that address the many obstacles that independent screenwriters face... more...

  • Pitching a Screenplayby Script Magazine Editors; Jeanne Veillette Bowerman

    F+W Media 2016; US$ 8.99

    Congratulations! You've written the next blockbuster hit! But...now what? Writing your screenplay is just the first step. If you don't take it out into the world and pitch it, your script will never get sold. Pitching a Screenplay: Essential Advice for Before, During and After a Pitching Event can help you take that next step. This collection... more...

  • T2 Trainspottingby John Hodge

    Faber & Faber 2017; US$ 10.20

    First there is an opportunity, then there is a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton returns to the only place he can ever call home. They are waiting for him, of course: Spud, Sick Boy, and Frank Begbie. But they are not alone. Other old friends are waiting too: sorrow, loss, joy,... more...

  • The Everything Filmmaking Bookby Barb Karg

    Adams Media 2007; US$ 14.95

    A Simon & Schuster eBook. Simon & Schuster has a great book for every reader. more...

  • The 101 Habits Of Highly Successful Screenwritersby Karl Iglesias

    Adams Media 2001; US$ 12.95

    Insider Secrets from Hollywood?s Top Writers This book not only shows how to be a screenwriter, but what it's actually like to be one. An inspiration to all would-be screenwriters, this book is about living the screenwriter's life -- the habits, writing environments, creative processes, daily passions, and obsessions. In The 101 Habits of Highly... more...

  • The 101 Habits of Highly Successful Screenwriters, 10th Anniversary Editionby Karl Iglesias

    Adams Media 2011; US$ 14.95

    You can struggle for years to get a foot in the door with Hollywood producers--or you can take a page from the book that offers proven advice from twenty-one of the industry's best and brightest! In this tenth anniversary edition, The 101 Habits of Highly Successful Screenwriters, 2nd Edition peers into the lives and workspaces of screenwriting... more...

  • Screenplayby Syd Field

    Random House Publishing Group 2007; US$ 17.00

    From concept to character, from opening scene to finished script.. Here are easily understood guidelines to make film-writing accessible to novices and to help practiced writers improve their scripts. Syd Field pinpoints the structural and stylistic elements essential to every good screenplay. He presents a step-by-step, comprehensive technique for... more...

  • Write Great Fiction - Dialogueby Gloria Kempton

    F+W Media 2004; US$ 16.99

    Craft Compelling Dialogue When should your character talk, what should (or shouldn't) he say, and when should he say it? How do you know when dialogue--or the lack thereof--is dragging down your scene? How do you fix a character who speaks without the laconic wit of the Terminator? Write Great Fiction: Dialogue by successful author and instructor... more...