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Most popular at the top

  • Münchener Beiträge zur Papyrusforschung Heft 106: Das Edikt De pecunia constitutaby Johannes Platschek

    C.H. Beck 2013; US$ 67.59

    Zentrale Verpflichtungsgründe des römischen Kreditrechts sind die Auszahlung eines Darlehens und das förmliche Schuldversprechen (stipulatio). Formlose Zusagen über die Rückzahlung eines Darlehens, die eine vielfach belegte griechische Urkundengestaltung mit einem Strafzuschlag von 50% sanktioniert, sind nach althergebrachtem römischen ius civile nicht... more...

  • Leading with Passionby Sherene Suchy

    AltaMira Press 2004; US$ 36.99

    What does it take to lead the 21st-century museum? Balancing a head for business and working from the heart guided by passion! This is the message Sherene Suchy discovered in her work with more than 80 international museum directors whose thoughts and experiences ground this book on change management in 21st-century cultural organizations. more...

  • The Victoria and Albert Museumby Elizabeth James

    Taylor and Francis 2013; US$ 205.00

    First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company. more...

  • All This Stuffby Judy Vaknin; Karyn Stuckey; Victoria Lane

    Libri Publishing 2013; US$ 27.99

    Introduced by Clive Phillpot, and including artists and writers such as Gustav Metzger, Bruce McLean, Barbara Steveni, John Latham, Barry Flanagan, Edward Burra, Penelope Curtis, and Neal White, All This Stuff breaks new ground in the field of archive theory. It documents the innovative ways in which the arts are challenging the distinctions, processes,... more...

  • Karl Neubacherby Günther Holler-Schuster; Peter Pakesch; Universalmuseum Joanneum Kunsthaus Graz

    Birkhäuser 2014; US$ 41.00

    Karl Neubacher worked primarily as a graphic designer. His posters, based on artistic concepts, are legendary. The central preoccupation of Neubacher?s art was his own body, which he directly employed in his performance art. Neubacher?s oeuvre is to be understood within the context of media art, and it is for this rea- son that it remains... more...

  • Kippenbergerby Susanne Kippenberger; Damion Searls

    J&L Books 2012; US$ 34.95

    Over the course of his 20-year career, Martin Kippenberger (1953-1997) cast himself alternately as hard-drinking carouser and confrontational art-world jester, thrusting these personae to the forefront of his prodigious creativity. He was also very much a player in the international art world of the 1970s right up until his death in 1997, commissioning... more...

  • Am I Getting Paid for This?by Betty Rollin

    Argo-Navis 2014; US$ 5.99

    When Betty Rollin graduated from college in the late 1950s, she couldn?t find a husband and she didn?t want to be a secretary. So, in the days before women?s liberation, she started a career?or, as she puts it, “fell into?then groped my way in and out of?three careers.? Am I Getting Paid For This? is a love story about work by the author of First,... more...

  • The Love Lives of the Artistsby Daniel Bullen

    Counterpoint 2011; US$ 16.95

    As the oldest of institutions, marriage seems outdated in modern times, when each individual is encouraged to break with tradition in order to fulfill him- or herself. And so artists like Diego Rivera and Frida Kahlo seem to be paving the way toward a brave, new kind of marriage, where spouses would be allowed—even encouraged—to fulfill different... more...

  • Projektfeld Ausstellung / Project Scope: Exhibition Designby Aurelia Bertron; Claudia Frey

    Birkhäuser 2012; US$ 42.00

    The book is a fundamental reference work for exhibition designers, architects, and museum professionals who want to adequately conceive, design, plan, and produce clearly focused thematic exhibitions. Each thematic field represents different challenges for an exhibition design. This typology by Bertron Schwarz Frey elaborates the special... more...

  • Die Ausstellung verhandelnby Luise Reitstätter

    transcript 2015; US$ 25.76

    Ausstellungen sind sozial umkämpfte Räume. Hier wird verhandelt, wer spricht und wer gehört wird. (Un-)Bewusste Intentionen der Ausstellungsmacher_innen treffen räumlich vermittelt auf vermeintliche Deutungen der Besucher_innen. Doch was passiert in diesem Setting tatsächlich? Bislang betrachtete die Forschung kunsthistorische Inszenierungsanalysen... more...