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  • Compelling Visualityby Claire Farago; Robert Zwijnenberg

    University of Minnesota Press 2003; US$ 75.00

    Takes up the commonly unexplored question of what is actually present in art?what aspects have survived the vicissitudes of time. International and interdisciplinary, this volume conducts readers into a discussion of the significance of personal response to works of art. more...

  • The State of Art Criticismby James Elkins; Michael Newman

    Taylor and Francis 2007; US$ 39.95

    Art criticism is spurned by universities, but widely produced and read. It is seldom theorized and its history has hardly been investigated. The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history and poses the question of whether criticism may... more...

  • Photoshop Studio with Bert Monroyby Bert Monroy

    Pearson Education 2010; US$ 39.99

    This is the eBook version of the printed book. If the print book includes a CD-ROM, this content is not included within the eBook version. One of the most talented digital artists working in the medium shares his secrets for creating stunning art using Adobe Photoshop. A master class for the experienced Photoshop artist, this beautifully illustrated... more...

  • ART/WORKby Heather Darcy Bhandari; Jonathan Melber

    Free Press 2009; US$ 17.99

    Find Out What They Didn't Teach You in Art School The most comprehensive guide of its kind, Art/Work gives artists of every level the tools they need to make it in an art world so competitive one dealer likens it to "The Sopranos, except nobody gets killed." Whether you're an art school grad looking for a gallery, a mid-career artist managing... more...

  • Beyond Visionby Pavel Florensky

    Reaktion Books 2006; US$ 45.00

    Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882?1937), Russian philosopher, priest, linguist, scientist, mathematician ? and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky?s contribution as an art historian by Nicoletta... more...

  • Digital Painting Fundamentals with Corel Painter 11by Rhoda Grossman

    Course Technology PTR 2009; US$ 39.99

    Unlock your digital artistic talent with Corel Painter 11, the industry standard for pixel-based drawing and painting. Digital Painting Fundamentals with Corel Painter 11 provides step-by-step instructions for using the basic features of Painter 11 along with a Wacom graphics tablet. Created for artists by artists, Painter 11 realistically emulates... more...

  • Avant-Garde and Criticismby Klaus Beekman; Jan de Vries

    Editions Rodopi 2007; US$ 102.20

    Avant-Garde and Criticism sheds new light on the complex aims, functions, practices and contexts of art-criticism in relation to the European avant-garde. Although many avant-garde works and the avant-gardes of various countries have been analyzed, considerably less attention has been given to the reviews in newspapers and journals on avant-garde literature,... more...

  • Von Kunstworten und -wertenby Margrit Vogt

    De Gruyter 2010; US$ 140.00

    German art criticism began to develop in the second half of the 18th century in periodicals of the Enlightenment and was modeled after French art theory and salon criticism. However, while Academy exhibitions in the Louvre attracted crowds of visitors and established French salon criticism, it was not before the 1760s that the founding... more...

  • Outsider Artby David Maclagan

    Reaktion Books 2010; US$ 35.00

    The term outsider art has been used to describe work produced exterior to the mainstream of modern art by certain self-taught visionaries, spiritualists, eccentrics, recluses, psychiatric patients, criminals, and others beyond the perceived margins of soc more...

  • On Art and Artistsby Denis Diderot; John S.D. Glaus; Jean Seznec

    Springer 2010; US$ 159.00

    Chance ordained that Denis Diderot (1713-1784) was not only a philosopher, playwright and writer, but also a salonnier. In other words, an art critic. In 1759, his friend Grimm entrusted him with a project that forced him to acquire 'thoughtful notions concerning painting and sculpture' and to refine 'art terms, so familiar in his words... more...