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- Oxford University Press, UK 2005; US$ 25.99
What do we mean when we call a work of art `beautiful`? How do perceptions of beauty change with the passage of time? Elizabeth Prettejohn explores these crucial questions, showing the vital relationship between our changing notions of beauty and specific works of art. She charts the story of western art, from eighteenth-century Germany to the late... more...
- Oxford University Press, UK 2006; US$ 9.99
What is 'contemporary' about contemporary art? Who is really running the art world?. This controversial and witty exploration of the dramatic changes that have taken place in the art world since the fall of the Berlin Wall provides a critical look at the reasons for the current art boom, and reveals the politics behind the business. - ;Contemporary... more...
- Oxford University Press, UK 2004; US$ 8.95
A controversial and fascinating attempt to define what is 'contemporary' about contemporary art, and the dramatic changes that have taken place in the last twenty years. Stallabrass reveals the growing inclusiveness of the contemporary art world, pointing to the greatly increased visibility for women and non-western artists, and the blurring... more...
- Oxford University Press, USA 2010; US$ 18.99
In his third book, Strauss delves into the mysterious process whereby an idea is born in the mind and materialized through the hand in the expression of an artwork. How exactly does this happen? It's a question so basic, an act so fundamental to art-making, that it has rarely received attention. It makes an ideal topic for Strauss, a writer with... more...
- DK Publishing 2009; US$ 24.99
This engaging guide takes children on an international tour of the world's greatest art, from the first daubs of paint in prehistoric caves to today's performance art. It includes all of the important art movements, from Renaissance to Rococo, as well as the great painters from all these eras. However, the approach is to look at art as an international... more...
- De Gruyter 2009; US$ 133.00
Whereas Aristotle had limited the evocation of fear and sympathy strictly to the cathartic effect of tragedy, a dissolution can be observed of the boundaries of concepts of catharsis following on from Bernays, Freud and Nietzsche, as the possibilities and limits of catharsis as an emotional abreaction are redrawn. What led to the break with the Aristotelian... more...
- Taylor and Francis 2013; US$ 52.95
Beginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, Art After Appropriation suggests a matrix of inflections and refusals around the culture of taking or citation, each chapter loosely correlated with one year of the decade between 1989 and 1999. The opening chapters... more...