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Most popular at the top

  • Metonymy in Contemporary Artby Denise Green

    University of Minnesota Press 2005; US$ 40.00

    Denise Green develops an original approach to art criticism and modes of creativity inspired by aspects of Australian Aboriginal and Indian thought. Interweaving her own evolution as an artist with critiques of Clement Greenberg and Walter Benjamin as well as commentary on artists such as Mark Rothko and Frank Stella, Green explores the concept of... more...

  • Cabinet of Curiositiesby Colleen J. Sheehy

    University of Minnesota Press 2006; US$ 90.00

    The richly illustrated essays in Cabinet of Curiosities records the creative processes behind an installation designed by contemporary artist Mark Dion at the Frederick R. Weisman Art Museum at the University of Minnesota, a collaboration of museum staff, students, and collection curators.Cabinet of Curiosities offers commentary on the ways in which... more...

  • A Life on Paperby Olive Jensen Theisen

    University of North Texas Press 2006; US$ 23.96

    John Thomas Biggers (1924-2001) was a major African American artist who inspired countless others through his teaching, murals, paintings, and drawings. Based on interviewes during the last thirteen years of his life, this title features selected representative works of John. more...

  • Networked Artby Craig J. Saper

    University of Minnesota Press 1997; US$ 78.00

    The experimental art and poetry of the last half of the twentieth century offers a glimpse of the emerging networked culture that electronic devices will make omnipresent. Craig J. Saper demarcates this new genre of networked art, which uses the trappings more...

  • Scar of Visibilityby Petra Kuppers

    University of Minnesota Press 2007; US$ 90.00

    In The Scar of Visibility, Petra Kuppers examines the use of medical imagery practices in contemporary art, as well as different arts of everyday life. Among the works she investigates are the controversial Body Worlds exhibition of plastinized corpses, films like David Cronenbergs Crash that fetishize body wounds, representations of the AIDS virus... more...

  • Visions from the Pastby M.J. Morwood

    Allen & Unwin 2002; US$ 36.31

    Aboriginal rock art: a vast gallery, the work of 1500 generations. The island continent of Australia contains the largest continuous record of human artistic expression in history. Here is a beautifully illustrated and comprehensive introduction to this a more...

  • Post-Impressionism to World War IIby Debbie Lewer

    Blackwell Publishing Ltd. 2005; US$ 59.95

    Post-Impressionism to World War II is an exciting anthology of the best art history writings of the Post-Impressionist period. Several key essays by critics including Benjamin, Greenberg and Bürger knit together primary sources and classic, “canonical” criticism. Collects the most important writings on art history from Post-Impressionism... more...

  • Kunstby Henning Tegtmeyer

    De Gruyter 2008; US$ 42.00

    Art and philosophy are two fundamental modes of expression of human self-consciousness. What differentiates and what connects them? Only philosophy can answer this question. The question is both a fundamental question of philosophy as well as a question of the significance of art for human self-understanding. All forms of art are to be considered.... more...

  • Thrown Ropeby Peter Hutchinson

    Springer 2006; US$ 29.95

    Although Peter Hutchinson has been working with land art since the 1960s, he has yet to receive his proper due. His work isn't found in galleries and he doesn't practice the kind of sensationalism that is typical of the art world. He is a refreshingly modest artist, and his delicate fleeting work is extraordinarily beautiful, remarkably intelligent,... more...

  • The Learned Eyeby Marieke van den Doel; Natasja van Eck; Gerbrand Korevaar

    Amsterdam University Press 2005; US$ 46.75

    Contains contributions on Rembrandt, Van Dyck, Frans Hals, and others, linked by the theme of the 'learned eye', focusing on studio practice, theory of art, or the development of the artist's self-image. The 'learned eye' here refers to the experienced eye of the art historian, the curator, or the restorer, reflecting the scope... more...