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- Oxford University Press, USA 2008; US$ 54.99
Prologue. 1. The Heritage of Antiquity. Part I. The Eighth and Ninth Centuries. 2. The Reception of Ancient Texts in the Carolingian Era. 3. The Heritage of the Church. Part II. The Synthesis of Ancient Greek Theory and Medieval Practice. 4. Hucbald of St. Amand and Regino of Prum. 5. Alia musica. 6. Pseudo-Bernelinus, Pseudo-Odo, and Guido d'Arezzo.... more...
- Ashgate Publishing Ltd 2008; US$ 109.95
This book is the first to examine the contributions of major British authors, as critics and librettists, to the rise of British opera in the twentieth century. Auden and Forster, as much as Vaughan Williams and Benjamin Britten, defined British opera, which emerged as a simultaneously literary and musical project. The resulting collaborations have... more...
- Oxford University Press, USA 2009; US$ 37.99
This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the... more...
- De Gruyter 2009; US$ 210.00
This interdisciplinary study discusses the conditions and modes of the reception of the ?Middle Ages? as an historical period in the operatic system of the Early Modern Age and enquires specifically into the significance of appropriate ?medieval? subjects for the German and European opera stage at the turn of the 18th century. The focus of the investigation... more...
- University of Chicago Press 2009; US$ 44.00
Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer... more...
- ABC-CLIO 2004; US$ 185.00
This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations... more...
- ABC-CLIO 1987; US$ 27.95
[This book is] a comprehensive illustrated history of the U.S. musical from its colonial origins to the present, tracing the connections and influences of the minstrel show, operetta, burlesque, melodrama, revues, circus, dance, musical comedy, the Broadway opera, the book musical and other forms. . . . Further, Mates introduces readers to inside stuff--the... more...
- Oxford University Press, USA 2010; US$ 17.99
Living Opera is a fascinating collection of 20 wide-ranging interviews with the preeminent opera professionals working on and behind the stage today. Joshua Jampol invites opera-lovers to listen in as performers such as Renee Fleming, Natalie Dessay, Rolando Villazon and Placido Domingo speak in exceptionally frank terms about their strengths and weaknesses,... more...
- De Gruyter 2009; US$ 182.00
A church service is concerned with the renewal of life. Thus art, e.g. music, plays a central role: it gives scope to deal with different perspectives on life and reaches beyond every-day experience to transcendental experience. In its own way, music achieves the objective at which the gospel of the crucifixion and resurrection aims: the worshiping... more...
- Indiana University Press 2010; US$ 38.20
The Moscow Private Opera, founded, sponsored, and directed by Savva Mamontov (1841--1918), was one of Russia's most important theatrical institutions at the dawn of the age of modernism. It presented the Moscow premieres of Lohengrin, La BohÃ¨me, and Khovanshchina, among others; launched the career of... more...