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Most popular at the top
- Opera Journeys Publishing 2003; US$ 49.95
A comprehensive history of opera that traces each milestone in opera history from the 16th century Camerata through the next 400 years, and featurrd in depth analysis of all important genres: the Baroque, Classical, and Romantic eras, Bel Canto, Opera Buffa, German Romanticism, Wagner and music drama, Verismo, Impressionism, Expressionism, Serialism,... more...
- University of California Press 2005; US$ 34.95
Where did musical minimalism come from?and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American... more...
- University of California Press 2005; US$ 85.00
This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than... more...
- University of California Press 2006; US$ 45.00
Opera performances are often radically inventive. Composers? revisions, singers? improvisations, and stage directors? re-imaginings continually challenge our visions of canonical works. But do they go far enough? This elegantly written, beautifully concise book, spanning almost the entire history of opera, reexamines attitudes toward some of our best-loved... more...
- Oxford University Press 1999; US$ 54.99
"Music and girls are the soul of musical comedy," one critic wrote, early in the 1940s. But this was the age that wanted more than melody and kickline form its musical shows. The form had been running on empty for too long, as a formula for the assembly of spare parts--star comics, generic love songs, rumba dancers, Ethel Merman. If Rodgers and Hammerstein... more...
- Oxford University Press 2004; US$ 34.99
This book explores the means by which the operas of Debussy and Bartok transform the structures of the traditional harmonic system into a new musical language. Antokoletz formulates new theoretic-analytic principles and describes how these principles link various historical and cultural as well as philosophical and psychological issues of the early... more...
- Cambridge University Press 2007; US$ 46.00
A study of opera in Italy and France from the 1600s to the present day. more...
- Palgrave Macmillan 2007; US$ 115.00
This book sets out the political and cultural conditions regulating dramatic writing during an era of censorship and monopolistic royal theatres. Using a range of plays and manuscripts, it argues for the centrality of burletta, the theatrical locus of the attacks on the Cockney school of poetry and the vitality of the metropolitan dramatic scene. more...
- Indiana University Press 2006; US$ 23.95
Music Musique is a study of American and French composers active in the late 19th through early 20th centuries and the influence of jazz on their compositional styles. Starting with a look at the formation of American and French styles of composition, Meister discusses the jazz influence on American... more...