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Most popular at the top
- University of Minnesota Press 1973; US$ 33.00
Music Theory was first published in 1977. This is a textbook for the study of music theory, using a historical approach which enables the student to learn about compositional devices as they appeared and evolved in early Western music. The textbook and its accompanying workbook provide for the study of basic analytical and compositional techniques... more...
- University of Minnesota Press 1977; US$ 67.50
This workbook contains 68 musical examples from the middle ages and the Renaissance. Specific assignments for students are designed to correlate with the material presented in Music Theory: Problems and Practices in the Middle Ages and Renaissance by Lloyd Ultan. more...
- University of Chicago Press 2008; US$ 18.00
Winner of the 2007 Otto Kinkeldey Award from the American Musicological Society and the 2007 Deems Taylor Award from the American Society of Composers, Authors, and Publishers. Divas and Scholars is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett?s personal experiences of triumphant?and even failed?performances... more...
- Oxford University Press 2008; US$ 38.99
The New Music Theater is the first comprehensive attempt in English to cover this still-emerging art form in its widest range. This book provides a wealth of examples and descriptions not only of the works themselves, but of the concepts, ideas, and trends that have gone into the evolution of what may be the most central performance art form of the... more...
- Knopf Doubleday Publishing Group 2009; US$ 25.00
From Arthur Laurents, playwright, screenwriter, director?a mesmerizing book about theater, the art, the artist, the insider, the outsider?and the making of two of the greatest musicals of the American stage, West Side Story and Gypsy . It is a book profoundly enriched by the author?s two loves, love for the theater and love for his partner of fifty-two... more...
- OUP Oxford 2006; US$ 179.99
Mary O'Neill examines the legacy of the medieval poet composers of Northern France, the trouvères. For many years problems and difficulties concerning the surviving melodies have prevented us from accessing these songs. Many of these problems are addressed here, bringing us closer to a true understanding of the repertoire. more...
- Oxford University Press 2008; US$ 28.99
The Critical Nexus is the first book to trace the development of the notational matrix of Western music from Antiquity to the fourteenth century. It shows how principles of ancient Greek theory were grafted onto medieval practice, leading to a theory of both tone-system and mode, and a concomitant system of musical notation, that is uniquely Western. more...
- University of Chicago Press 2009; US$ 44.00
Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer... more...
- Oxford University Press 2009; US$ 54.99
This study is the first to explore the significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian opera during the nineteenth century. Each chapter investigates this practice from varying perspectives and through the experiences of some of the century's most famous prima donnas. more...
- University of California Press 2007; US$ 34.95
In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously; second, that this change in the structure of musical time... more...