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- Oxford University Press, USA 2008; US$ 37.99
Introduction: What is Music Theater?. Part I: Music in Music Theater. 1. The Voice. 2. Where the Sound Comes From. 3. The Music. Entr'acte I: Is there such a thing as progress in music and music theater?. Part II: Theater in Music Theater. 4. Theater, Music, and Culture. 5. Text. Entr'acte II: The Language of Kathakali. 6. Visual Strategies.... more...
- Knopf Doubleday Publishing Group 2009; US$ 25.00
From Arthur Laurents, playwright, screenwriter, director?a mesmerizing book about theater, the art, the artist, the insider, the outsider?and the making of two of the greatest musicals of the American stage, West Side Story and Gypsy . It is a book profoundly enriched by the author?s two loves, love for the theater and love for his partner of fifty-two... more...
- Oxford University Press, UK 2006; US$ 140.00
Mary O'Neill examines the legacy of the medieval poet composers of Northern France, the trouv--egrave--;res. For many years problems and difficulties concerning the surviving melodies have prevented us from accessing these songs. Many of these problems are addressed here, bringing us closer to a true understanding of the repertoire. - ;This book... more...
- Oxford University Press, USA 2008; US$ 54.99
Prologue. 1. The Heritage of Antiquity. Part I. The Eighth and Ninth Centuries. 2. The Reception of Ancient Texts in the Carolingian Era. 3. The Heritage of the Church. Part II. The Synthesis of Ancient Greek Theory and Medieval Practice. 4. Hucbald of St. Amand and Regino of Prum. 5. Alia musica. 6. Pseudo-Bernelinus, Pseudo-Odo, and Guido d'Arezzo.... more...
- Ashgate Publishing Ltd 2008; US$ 109.95
This book is the first to examine the contributions of major British authors, as critics and librettists, to the rise of British opera in the twentieth century. Auden and Forster, as much as Vaughan Williams and Benjamin Britten, defined British opera, which emerged as a simultaneously literary and musical project. The resulting collaborations have... more...
- University of Chicago Press 2009; US$ 44.00
Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer... more...
- De Gruyter 2009; US$ 182.00
This interdisciplinary study discusses the conditions and modes of the reception of the ?Middle Ages? as an historical period in the operatic system of the Early Modern Age and enquires specifically into the significance of appropriate ?medieval? subjects for the German and European opera stage at the turn of the 18th century. The focus of the investigation... more...
- Oxford University Press, USA 2009; US$ 37.99
This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the... more...
- ABC-CLIO 2004; US$ 185.00
This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations... more...
- ABC-CLIO 1987; US$ 27.95
[This book is] a comprehensive illustrated history of the U.S. musical from its colonial origins to the present, tracing the connections and influences of the minstrel show, operetta, burlesque, melodrama, revues, circus, dance, musical comedy, the Broadway opera, the book musical and other forms. . . . Further, Mates introduces readers to inside stuff--the... more...