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  • 'Nationes', 'Gentes' und die Musik im Mittelalterby Frank Hentschel; Marie Winkelmüller

    De Gruyter 2014; US$ 182.00

    The notion that ideas and judgments about music are based on cultural-specific and national frames of reference and ideologies was not invented in the modern era. Taking an interdisciplinary perspective, this volume examines the role played by notions of communities such as Germani, Itali, and Franci (Germanic, Italian, and French) in medieval writings... more...

  • The Advent Projectby James W. McKinnon

    University of California Press 2000; US$ 15.95

    In his final accomplishment of an extraordinarily distinguished career, James W. McKinnon considers the musical practices of the early Church in this incisive examination of the history of Christian chant from the years a.d. 200 to 800. The result is an important book that is certain to have a long-lasting impact on musicology, religious studies, and... more...

  • The Age of Mozart and Beethovenby Giorgio Pestelli; Eric Cross

    Cambridge University Press 1984; US$ 36.00

    An examination of one of the crucial periods of musical history, viewed against the social and political background of the time. more...

  • Als die Oper mit Bier gelöscht wurdeby Heinz Gebhardt

    Stiebner Verlag 2012; US$ 15.16

    Hauptbeschreibung Haben Sie gewusst, dass München-Gründer Herzog Heinrich der Löwe ein 13-jähriges Mädchen geheiratet hatte, dass ein Großfeuer in der Oper nur mit Bier gelöscht werden konnte oder dass die Isar bis heute pures Gold in sich führt, das 1550 noch zu Münzen geprägt wurde? Viel Unbekanntes - von der Gründung München bis zu Gegenwart -... more...

  • Alternative Chinese Opera in the Age of Globalizationby Professor Daphne P. Lei

    Palgrave Macmillan 2011; US$ 90.00

    Bringing the study of Chinese theatre into the 21st-century, Lei discusses ways in which traditional art can survive and thrive in the age of modernization and globalization. Building on her previous work, this new book focuses on various forms of Chinese 'opera' in locations around the Pacific Rim, including Hong Kong, Taiwan and California. more...

  • America's Musical Stageby Julian Mates

    ABC-CLIO 1987; US$ 27.95

    [This book is] a comprehensive illustrated history of the U.S. musical from its colonial origins to the present, tracing the connections and influences of the minstrel show, operetta, burlesque, melodrama, revues, circus, dance, musical comedy, the Broadway opera, the book musical and other forms. . . . Further, Mates introduces readers to inside stuff--the... more...

  • Ancient Drama in Music for the Modern Stageby Peter Brown; Suzana Ograjen?ek

    Oxford University Press 2010; US$ 159.99

    Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature,... more...

  • Art and Ideology in European Operaby Rachel Cowgill; David Cooper; Clive Brown

    Boydell & Brewer 2010; US$ 99.00

    Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. more...

  • The Ashgate Research Companion to Minimalist and Postminimalist Musicby Keith Potter; Kyle Gann; Pwyll ap Siôn

    Ashgate Publishing Ltd 2013; US$ 144.95

    In recent years the music of minimalist composers has become the subject of important musicological reflection, research and debate. This Companion provides an authoritative overview of research in this area and highlights the innovative work of the renowned early minimalists, the distinctive work of second and third generation minimalists, and the... more...

  • Bach?s Cycle, Mozart?s Arrowby Karol Berger

    University of California Press 2007; US$ 19.96

    In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously; second, that this change in the structure of musical time... more...