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  • Maracatu Atomicoby Philip Galinsky

    Taylor and Francis 2013; US$ 49.95

    "Maracatu Atômico" is the first academic work to investigate the mangue movement, one of Brazil's most vital pop culture trends of the last thirty years, and the related "new music scene" of Northeast Brazil. Contending with the widespread poverty and social problems, mangue places a renewed value on the local environment and its myriad folk traditions... more...

  • Focus: Music, Nationalism, and the Making of the New Europeby Philip V. Bohlman

    Taylor and Francis 2010; US$ 61.95

    Two decades after the fall of communism in Eastern Europe and one decade into the twenty-first century, European music remains one of the most powerful forces for shaping nationalism. Using intensive fieldwork throughout Europe -- from participation in alpine foot pilgrimages to studies of the grandest music spectacle anywhere in the world, the Eurovision... more...

  • A Rocket in My Pocketby Max Décharné

    Profile Books 2010; US$ 17.31

    Rockabilly had its roots in country, blues, folk, hillbilly, R&B, boogie-woogie and most other indigenous Deep South forms of popular song that you could strum three chords along to or howl down a cheap microphone. It was young people's music, made almost entirely by the first wave of teenagers, despised by adults in general and the country music... more...

  • The Dastgah Concept in Persian Musicby Hormoz Farhat

    Cambridge University Press 2004; US$ 37.00

    The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption.... more...

  • Music Criticism in Nineteenth-Century Franceby Katharine Ellis

    Cambridge University Press 1995; US$ 37.00

    This book focuses on the musical writings in the daily and periodical press in France during the nineteenth century. more...

  • Balinese Discourses on Music and Modernizationby Brita Heimarck Renee

    Taylor and Francis 2013; US$ 50.95

    While many Western scholars have discussed the technical aspects of Balinese music or the traditional contexts for performance, little has been written in Western languages about Balinese discourses on their music. This dissertation seeks to understand the experience of music in Bali according to Balinese voices through an analysis of oral and written... more...

  • 'Food for Apollo'by Dorothy T. Potter

    Lehigh University Press 2011; US$ 72.99

    'Food for Apollo:' Cultivated Music in Antebellum Philadelphia details the evolution and significance in that city of what is often called 'classical' music. Performances in a variety of settings, from 'long rooms' in taverns to large theatres and concert halls, facilitated this process over approximately 100 years. Philadelphia's thriving music publishing... more...

  • Revival and Reconciliationby Philip V. Bohlman

    Scarecrow Press 2013; US$ 97.99

    Drawing upon three decades of research in European sacred music, Philip V. Bohlman calls for a re-examination of European modernity in the twenty first century, a modernity shaped no less by canonic religious and musical practices than by the proliferation of belief systems that today more than ever respond to the diverse belief systems that engender... more...

  • The Arab Avant-Gardeby Thomas Burkhalter; Kay Dickinson; Benjamin J. Harbert

    Wesleyan University Press 2013; US$ 21.99

    The first in-depth study of diverse and radical innovation in Arab music more...

  • Lift Every Voice and Singby Julian Bond; Sondra Kathryn Wilson

    Random House Publishing Group 2001; US$ 29.95

    "A group of young men in Jacksonville, Florida, arranged to celebrate Lincoln's birthday in 1900. My brother, J. Rosamond Johnson, and I decided to write a song to be sung at the exercise. I wrote the words and he wrote the music. Our New York publisher, Edward B. Marks, made mimeographed copies for us and the song was taught to and sung by a chorus... more...