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- Taylor and Francis 2010; US$ 61.95
Focus: Music, Nationalism, and the Making of the New Europe surveys the intersection of music and nationalism by tracing its historical development and documenting its persistence today. Contrasting different types of music reveals how music expresses core ideas of nationalism, for example, folk music in the nineteenth century and popular music... more...
- Hardie Grant Books 2014; US$ 11.99
Oceans apart, low down, far from the worlds music-making epicentres is a country - Australia - that throws up music unlike any place else. This music moves the people who live there in strange and deep-felt ways, gives them something to rage, shout, dream, dance, remember, love and break up to. Best Music Writing Under the Australian Sun lays... more...
- Temple University Press 2014; US$ 34.95
Folk music is more than an idealized reminder of a simper past. It reveals a great deal about present-day understandings of community and belonging. It celebrates the shared traditions that define a group or nation. In America, folk music--from African American spirituals to English ballads and protest songs--renders the imagined community more tangible... more...
- Taylor and Francis 2014; US$ 125.00
Recording studios are the most insulated, intimate and privileged sites of music production and creativity. Yet in a world of intensified globalisation, they are also sites which are highly connected into wider networks of music production that are increasingly spanning the globe. This book is the first comprehensive account of the new spatialties... more...
- Ashgate Publishing Ltd 2014; US$ 109.95
Black British musicians have been making jazz since around 1920. This book reveals their hidden history and major contribution to the development of jazz in the UK. The chapters show the importance of black British jazz in terms of musical hybridity and the cultural significance of race. The volume also provides a case study in how music of the African... more...
- Cambridge University Press 1990; US$ 34.00
The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption.... more...
- Springer Fachmedien 2007; US$ 69.99