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Most popular at the top
- Oxford University Press 1992; US$ 19.95
Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along... more...
- Oxford University Press 2000; US$ 46.99
This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses... more...
- Oxford University Press 2003; US$ 33.99
Kenney examines the interplay between recorded music and the key social, political, and economic forces in America during the era of the phonograph's rise and decline as the dominant medium of popular recorded sound: from the appearance of the first commercial recordings to the postwar years when the industry became more complex and less powerful. more...
- Oxford University Press 1998; US$ 124.99
This work argues that French musical meanings and values in the years from 1898 to 1914 are best explained not in terms of artistic movements, but rather of the political culture, which was undergoing subtle but profound transformation as nationalist leagues enlarged the arena of political action. more...
- Oxford University Press 1997; US$ 39.99
In this second collection of his essays, author Santoro explores how, as music criss-crosses the globe with ever-greater speed, musicians seize what is useful to them and expand their idioms more rapidly. His subjects include: Jimi Hendrix; Paul Simon; Charles Mingus; and Thelonius Monk. more...
- Oxford University Press 1994; US$ 19.95
An anecdotal autobiography of Bill Crow's career in jazz, from his arrival in New York City in the 1950s to his professional life as a jazz bassist, playing with the likes of Benny Goodman, Gerry Mulligan, Charlie Parker, Dizzy Gillespie and Marian McPartland. more...
- Oxford University Press 2005; US$ 24.99
As a follow-up to her book exploring musical and political cultures in France from the Dreyfus Affair to the First World War, the author here applies the same approach to the years from 1914-1940, arguing that French musical meanings are best explained not in terms of artistic movements, but rather in terms of the political culture. more...
- Oxford University Press 1993; US$ 39.99
A blend of musical history and criticism, this study of jazz includes chapters on King Oliver, Jelly Roll Morton, John Coltrane and Ornette Coleman. In addition to an expanded essay on Count Basie, this edition includes pieces on Eric Dolphy, Bill Evans and the World Saxophone Quartet. more...