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  • The Twisted Museby Michael H. Kater

    Oxford University Press 1999; US$ 49.99

    Under a totalitarian regime, can art and artists be innocent? This questions and its implications are explored in Michael Kater's broad survey of musicians, and the music they composed and performed during the Third Reich. more...

  • The Voices that Are Goneby Jon W. Finson

    Oxford University Press 1997; US$ 48.00

    Presenting a guided tour of topically arranged popular songs, the author of this text views the mores and values of 19th-century Americans as seen therein. He points out important landmarks and lesser sights providing colour and context. more...

  • Crossing Confessional Boundariesby Mary E. Frandsen

    Oxford University Press 2006; US$ 34.99

    Examines the uneasy alliance of two confessions, Lutheran and Catholic, at the prominent seventeenth-century court of Dresden, and the implications of this alliance for the repertoire of sacred art music cultivated there, an influential repertoire that has received only scant attention from scholars. more...

  • French Cultural Politics and Musicby Jane F. Fulcher

    Oxford University Press 1998; US$ 124.99

    This work argues that French musical meanings and values in the years from 1898 to 1914 are best explained not in terms of artistic movements, but rather of the political culture, which was undergoing subtle but profound transformation as nationalist leagues enlarged the arena of political action. more...

  • From Birdland to Broadwayby Bill Crow

    Oxford University Press 1994; US$ 19.95

    An anecdotal autobiography of Bill Crow's career in jazz, from his arrival in New York City in the 1950s to his professional life as a jazz bassist, playing with the likes of Benny Goodman, Gerry Mulligan, Charlie Parker, Dizzy Gillespie and Marian McPartland. more...

  • Recorded Music in American Lifeby William Howland Kenney

    Oxford University Press 2003; US$ 33.99

    Kenney examines the interplay between recorded music and the key social, political, and economic forces in America during the era of the phonograph's rise and decline as the dominant medium of popular recorded sound: from the appearance of the first commercial recordings to the postwar years when the industry became more complex and less powerful. more...

  • Interpreting the Musical Pastby Katharine Ellis

    Oxford University Press 2005; US$ 26.99

    Presenting a study of the French early music revival, this book gives us a sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing studies of repertories stretching from Adam de la Halle to Rameau. more...

  • Jazzby James Lincoln Collier

    Oxford University Press 1995; US$ 19.95

    More than a chronological history of a unique musical form, this study examines how jazz influenced American society. The author argues that jazz both reflects and celebrates a uniquely American world view. more...

  • Kansas City Jazzby Frank Driggs; Chuck Haddix

    Oxford University Press 2005; US$ 13.99

    There were but four major galaxies in the early jazz universe, and three of them - New Orleans, Chicago, and New York - have been well-documented in print. In this colorful history, Frank Driggs and Chuck Haddix range from ragtime to bebop and from Bennie Moten to Charlie Parker to capture the golden age of Kansas City jazz, the fourth. more...

  • Stir It Upby Gene Santoro

    Oxford University Press 1997; US$ 39.99

    In this second collection of his essays, author Santoro explores how, as music criss-crosses the globe with ever-greater speed, musicians seize what is useful to them and expand their idioms more rapidly. His subjects include: Jimi Hendrix; Paul Simon; Charles Mingus; and Thelonius Monk. more...