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- Oxford University Press 1993; US$ 39.99
A blend of musical history and criticism, this study of jazz includes chapters on King Oliver, Jelly Roll Morton, John Coltrane and Ornette Coleman. In addition to an expanded essay on Count Basie, this edition includes pieces on Eric Dolphy, Bill Evans and the World Saxophone Quartet. more...
- Oxford University Press 2005; US$ 43.99
Electric Folk - Revival and Transformation of English Traditional Music chronicles the history of the genre and explores its cultural implications. It characterizes electric folk as both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad. more...
- Oxford University Press 2005; US$ 30.00
Presents an account of the development of national culture in India using classical music as a case study. This book demonstrates how the emergence of an "Indian" cultural tradition reflected colonial and exclusionary practices. It deals with how a nation's imaginings - from politics to culture - reflect rather than transform societal divisions. more...
- Oxford University Press 2005; US$ 34.99
Provides an examination of northwest Louisiana's unique musical milieu, home to the Louisiana Hayride, a radio barn dance between 1948 and 1960. The region's history, geography, race relations, media, and other forces set the stage for the Hayride's critical role in both country music and rock-and-roll. more...
- Taylor and Francis 2013; US$ 38.95
Rock and roll's death has been forecast nearly since its birth; the country song "The Death of Rock and Roll" appeared in September 1956, showing that the music had already outraged a more conservative listening audience. Is Rock Dead? sets out to explore the varied and sometimes conflicting ways in which the death of rock has been discussed both... more...
- Oxford University Press 2004; US$ 39.99
What do Louis Armstrong, Ray Charles, Bob Dylan, Willie Nelson, Tom Waits, Cassandra Wilson, and Ani DiFranco have in common? In Highway 61 Revisited, acclaimed music critic Gene Santoro says the answer is jazz-not just the musical style, but jazz's distinctive ambiance and attitudes. As legendary bebop rebel Charlie Parker once put it, "If you don't... more...
- Oxford University Press 2004; US$ 59.99
Gamble, Huff, and Bell were the pre-eminent soul music producers of the 1970s. This book tells the story of their meteoric rise, their years of unstoppable success, and their demise from payola, competition, a tough economy, and the inevitability of changing popular tastes. more...
- Routledge 2006; US$ 16.95
Focusing on comparing and contrasting the historical nature of the three aspects of understanding folk music - traditional, local performers and professional collectors - this text explores the advent of professional performers in the twentieth century during the so-called 'folk revival'. more...
- Palgrave Macmillan 2004; US$ 38.00
Decentralization and diversity characterized much of the performance of art music in Los Angeles. Decentralization defined the city's growth since the late-nineteenth century, and because the central city did not dominate music culture, as in the East and Midwest, a greater diversification of music emerged in the communities of Greater Los Angeles.... more...