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  • The Jazz Revolutionby Kathy J. Ogren

    Oxford University Press 1992; US$ 19.95

    Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along... more...

  • Wrong's What I Do Bestby Barbara Ching

    Oxford University Press 2000; US$ 44.99

    This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses... more...

  • French Cultural Politics and Musicby Jane F. Fulcher

    Oxford University Press 1998; US$ 124.99

    This work argues that French musical meanings and values in the years from 1898 to 1914 are best explained not in terms of artistic movements, but rather of the political culture, which was undergoing subtle but profound transformation as nationalist leagues enlarged the arena of political action. more...

  • From Birdland to Broadwayby Bill Crow

    Oxford University Press 1994; US$ 19.95

    An anecdotal autobiography of Bill Crow's career in jazz, from his arrival in New York City in the 1950s to his professional life as a jazz bassist, playing with the likes of Benny Goodman, Gerry Mulligan, Charlie Parker, Dizzy Gillespie and Marian McPartland. more...

  • Interpreting the Musical Pastby Katharine Ellis

    Oxford University Press 2005; US$ 26.99

    Presenting a study of the French early music revival, this book gives us a sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing studies of repertories stretching from Adam de la Halle to Rameau. more...

  • Jazzby James Lincoln Collier

    Oxford University Press 1995; US$ 19.95

    More than a chronological history of a unique musical form, this study examines how jazz influenced American society. The author argues that jazz both reflects and celebrates a uniquely American world view. more...

  • Kansas City Jazzby Frank Driggs; Chuck Haddix

    Oxford University Press 2005; US$ 13.99

    There were but four major galaxies in the early jazz universe, and three of them - New Orleans, Chicago, and New York - have been well-documented in print. In this colorful history, Frank Driggs and Chuck Haddix range from ragtime to bebop and from Bennie Moten to Charlie Parker to capture the golden age of Kansas City jazz, the fourth. more...

  • Recorded Music in American Lifeby William Howland Kenney

    Oxford University Press 2003; US$ 33.99

    Kenney examines the interplay between recorded music and the key social, political, and economic forces in America during the era of the phonograph's rise and decline as the dominant medium of popular recorded sound: from the appearance of the first commercial recordings to the postwar years when the industry became more complex and less powerful. more...

  • Stir It Upby Gene Santoro

    Oxford University Press 1997; US$ 39.99

    In this second collection of his essays, author Santoro explores how, as music criss-crosses the globe with ever-greater speed, musicians seize what is useful to them and expand their idioms more rapidly. His subjects include: Jimi Hendrix; Paul Simon; Charles Mingus; and Thelonius Monk. more...

  • Swing to Bopby Ira Gitler

    Oxford University Press 1987; US$ 29.99

    More than fifty major figures in jazz preserve for posterity their recollections of how jazz moved from the big band era in the late 1930s and 1940s into the modern jazz period. more...