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  • The Composer As Intellectualby Jane F. Fulcher

    Oxford University Press 2005; US$ 26.99

    As a follow-up to her book exploring musical and political cultures in France from the Dreyfus Affair to the First World War, the author here applies the same approach to the years from 1914-1940, arguing that French musical meanings are best explained not in terms of artistic movements, but rather in terms of the political culture. more...

  • The Jazz Sceneby W. Royal Stokes

    Oxford University Press 1993; US$ 18.99

    This is an informal history of New Orleans jazz from the turn of the 20th century to the present day, as told by the musicians themselves in interviews conducted by the author. more...

  • The Jazz Traditionby Martin Williams

    Oxford University Press 1993; US$ 39.99

    A blend of musical history and criticism, this study of jazz includes chapters on King Oliver, Jelly Roll Morton, John Coltrane and Ornette Coleman. In addition to an expanded essay on Count Basie, this edition includes pieces on Eric Dolphy, Bill Evans and the World Saxophone Quartet. more...

  • The Twisted Museby Michael H. Kater

    Oxford University Press 1999; US$ 49.99

    Under a totalitarian regime, can art and artists be innocent? This questions and its implications are explored in Michael Kater's broad survey of musicians, and the music they composed and performed during the Third Reich. more...

  • The Voices that Are Goneby Jon W. Finson

    Oxford University Press 1997; US$ 48.00

    Presenting a guided tour of topically arranged popular songs, the author of this text views the mores and values of 19th-century Americans as seen therein. He points out important landmarks and lesser sights providing colour and context. more...

  • American Popular Music and Its Business, Volume IIby Russell Sanjek

    Oxford University Press 1988; US$ 164.99

    This is the second of three volumes designed, in the author's words, to tell 'the story of America's popular songs, the people who wrote them, and the business they created and sustained'. more...

  • American Popular Music and Its Business, Volume IIIby Russell Sanjek

    Oxford University Press 1988; US$ 174.99

    This is the last of three volumes designed, in the author's words, to tell 'the story of America's popular songs, the people who wrote them, and the business they created and sustained'. more...

  • Chicago Jazzby William Howland Kenney

    Oxford University Press 1995; US$ 19.95

    Charts the development of jazz in Chicago before, during and after World War I. In addition to detailing the technical aspects of the jazz form that evolved during this time, the author describes the social and political ramifications of early urban jazz. more...

  • Crossing Confessional Boundariesby Mary E. Frandsen

    Oxford University Press 2006; US$ 34.99

    Examines the uneasy alliance of two confessions, Lutheran and Catholic, at the prominent seventeenth-century court of Dresden, and the implications of this alliance for the repertoire of sacred art music cultivated there, an influential repertoire that has received only scant attention from scholars. more...

  • Louisiana Hayrideby Tracey E. W. Laird

    Oxford University Press 2005; US$ 33.99

    Provides an examination of northwest Louisiana's unique musical milieu, home to the Louisiana Hayride, a radio barn dance between 1948 and 1960. The region's history, geography, race relations, media, and other forces set the stage for the Hayride's critical role in both country music and rock-and-roll. more...