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- De Gruyter 2006; US$ 587.00
Volume 8 closes this edition of Meyerbeer's correspondence, personal journals and pocket diaries and provides the reader with detailed information about public music life in Berlin, London and Paris during the time from 1860 to 1864. Especially interesting are the documents on his work as the Prussian general music director under Wilhelm I and his... more...
- Vandenhoeck & Ruprecht 2011; US$ 16.51
Kommentare zu:EG 169 Der Gottesdienst soll fröhlich seinEG 222 Im Frieden deinEG 267 Herr, du hast darum gebetetEG 288 Nun jauchzt dem Herrn, alle WeltEG 294 Nun saget Dank und lobt den HerrenEG 320 Nun lasst uns Gott, dem HerrenEG 321 Nun danket alle GottEG 326 Sei Lob und Ehr dem höchsten GutEG 372 Was Gott tut, das ist wohlgetanEG 385 Mir nach,... more...
- Lexington Books 2014; US$ 79.99
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music , edited by Eric James Abbey and Colin Helb, is a collection of writings on music that is considered aggressive throughout the world. This collection reflects the importance of aggressive music within our society and how this music effects and informs contemporary issues. ... more...
- University Press of Mississippi 2013; US$ 187.50
To Do This, You Must Know How traces black vocal music instruction and inspiration from the halls of Fisk University to the mining camps of Birmingham and Bessemer, Alabama, and on to Chicago and New Orleans. In the 1870s, the Original Fisk University Jubilee Singers successfully combined Negro spirituals with formal choral music disciplines, and... more...
- University Press of Mississippi 2007; US$ 75.00
The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. "Coon songs," with their ugly name, defined ragtime for the masses.... more...
- Rutgers University Press 2010; US$ 23.95
In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness-especially black masculinity-remained a marker of authenticity. Blues Music in the Sixties... more...
- University of California Press 2002; US$ 15.95
From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's vibrant and original book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century,... more...
- University of California Press 2012; US$ 36.95
What is jazz? What is gained?and what is lost?when various communities close ranks around a particular definition of this quintessentially American music? Jazz/Not Jazz explores some of the musicians, concepts, places, and practices which, while deeply connected to established jazz institutions and aesthetics, have rarely appeared in traditional... more...
- Oxford University Press 2003; US$ 19.99
The birth of rock 'n roll ignited a firestorm of controversy--one critic called it "musical riots put to a switchblade beat"--but if it generated much sound and fury, what, if anything, did it signify?. As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot... more...