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- Oxford University Press 2011; US$ 12.99 US$ 11.17
On its initial release, The History of Jazz was heralded as a classic: it was honored as one of the twenty best books of the year in The Washington Post and was chosen as a notable book of the year in The New York Times . Now Gioia brings the story up-to-date, drawing on his latest research and covering the full spectrum of the music's past, present,... more...
- University of California Press 2002; US$ 15.95 US$ 12.76
Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual... more...
- G2 Rights Ltd 2015; US$ 3.99
George Timothy Hudson should, by all the rules of inheritance, have lived a righteous and unblemished life as a cotton merchant middle-class, respectable and respected. Instead he became a cricketer, leading DJ in Hollywood, rock and roll promoter, discoverer of The Moody Blues, husband of four, lover of many, Ian Botham's friend and business adviser.... more...
- Oxford University Press 1991; US$ 19.95 US$ 17.16
From record album liner notes to serious academic pieces, Martin Williams has been perceptively chronicling the development of jazz for over three decades. In this, his newest collection of jazz writings, Williams brings together many of his best pieces and covers new ground, with short columns on Teddy Wilson and George Winston and a longer article,... more...
- Oxford University Press 1996; US$ 19.95 US$ 17.16
When bebop was new, writes Thomas Owens, "many jazz musicians and most of the jazz audience heard it as radical, chaotic, bewildering music." For a nation swinging to the smoothly orchestrated sounds of the big bands, this revolutionary movement of the 1940s must have seemed destined for a short life on the musical fringe. But today, Owens writes,... more...
- Oxford University Press 1993; US$ 19.95 US$ 17.16
Jazz Changes is the late Martin Williams's third and perhaps best collection of jazz portraits, interviews, narrative accounts of recording sessions, rehearsals, and performances, important liner notes, and far reaching discussions of musicians and their music. The collection includes thirty years of Williams's finest pieces taking readers on an engaging... more...
- Oxford University Press 1992; US$ 19.95 US$ 17.16
Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along... more...
- Oxford University Press 2001; US$ 49.99 US$ 42.99
This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses... more...