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- Wesleyan University Press 2013; US$ 21.99
THOMAS BURKHALTER is a researcher at Zurich University of Arts, editor-in-chief of norient.com, and author of Local Music Scenes and Globalization: Transnational Platforms in Beirut. KAY DICKINSON is an associate professor at Concordia University and the author of Off Key: When Film and Music Won?t Work Together. BENJAMIN J. HARBERT is an assistant... more...
- Diplomica Verlag 2013; US$ 22.08
Blues- ein Begriff der nicht nur eine Musikform beschreibt. Oft auch als Devils Music deklariert, wird dem Blues die Seele der afroamerikanischen Bevölkerung zugesprochen. Immer geprägt von dem geradezu romantisierten Bild des authentifizierten Bluesmusikers: ländlich, männlich, einsam, ziellos, besitzlos, unkommerziell und durchdrungen von Kummer... more...
- G2 Rights Ltd 2015; US$ 2.90
George Timothy Hudson should, by all the rules of inheritance, have lived a righteous and unblemished life as a cotton merchant middle-class, respectable and respected. Instead he became a cricketer, leading DJ in Hollywood, rock and roll promoter, discoverer of The Moody Blues, husband of four, lover of many, Ian Botham's friend and business adviser.... more...
- Oxford University Press 1991; US$ 19.95
From record album liner notes to serious academic pieces, Martin Williams has been perceptively chronicling the development of jazz for over three decades. In this, his newest collection of jazz writings, Williams brings together many of his best pieces and covers new ground, with short columns on Teddy Wilson and George Winston and a longer article,... more...
- Oxford University Press 1995; US$ 26.00
As music columnist for The Nation, Gene Santoro has established himself as an important new critical voice, able to write well on a broad spectrum of popular music and jazz without losing touch with the cutting edge of today's music scene. About Nat "King" Cole, Santoro comments: "adjectives can't describe the swinging, ingratiating self-confidence... more...
- Oxford University Press 1996; US$ 19.95
When bebop was new, writes Thomas Owens, "many jazz musicians and most of the jazz audience heard it as radical, chaotic, bewildering music." For a nation swinging to the smoothly orchestrated sounds of the big bands, this revolutionary movement of the 1940s must have seemed destined for a short life on the musical fringe. But today, Owens writes,... more...
- Oxford University Press 1993; US$ 19.95
Jazz Changes is the late Martin Williams's third and perhaps best collection of jazz portraits, interviews, narrative accounts of recording sessions, rehearsals, and performances, important liner notes, and far reaching discussions of musicians and their music. The collection includes thirty years of Williams's finest pieces taking readers on an engaging... more...
- Oxford University Press 1992; US$ 19.95
Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along... more...
- Oxford University Press 2000; US$ 44.99
This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses... more...