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- Oxford University Press 1995; US$ 26.00
As music columnist for The Nation, Gene Santoro has established himself as an important new critical voice, able to write well on a broad spectrum of popular music and jazz without losing touch with the cutting edge of today's music scene. About Nat "King" Cole, Santoro comments: "adjectives can't describe the swinging, ingratiating self-confidence... more...
- Oxford University Press 1996; US$ 19.95
When bebop was new, writes Thomas Owens, "many jazz musicians and most of the jazz audience heard it as radical, chaotic, bewildering music." For a nation swinging to the smoothly orchestrated sounds of the big bands, this revolutionary movement of the 1940s must have seemed destined for a short life on the musical fringe. But today, Owens writes,... more...
- Oxford University Press 1993; US$ 19.95
Jazz Changes is the late Martin Williams's third and perhaps best collection of jazz portraits, interviews, narrative accounts of recording sessions, rehearsals, and performances, important liner notes, and far reaching discussions of musicians and their music. The collection includes thirty years of Williams's finest pieces taking readers on an engaging... more...
- Oxford University Press 1992; US$ 19.95
Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along... more...
- ABC-CLIO 2006; US$ 85.00
Recounts three decades of Hip Hop's evolution, highlighting its defining events, recordings, personalities, movements, and ideas, as well as society's response. This book provides information and insights for students, educators, and those interested in the ways pop culture reflects and shapes our lives. more...
- Oxford University Press 1994; US$ 19.95
An anecdotal autobiography of Bill Crow's career in jazz, from his arrival in New York City in the 1950s to his professional life as a jazz bassist, playing with the likes of Benny Goodman, Gerry Mulligan, Charlie Parker, Dizzy Gillespie and Marian McPartland. more...
- Oxford University Press 2005; US$ 13.99
There were but four major galaxies in the early jazz universe, and three of them - New Orleans, Chicago, and New York - have been well-documented in print. In this colorful history, Frank Driggs and Chuck Haddix range from ragtime to bebop and from Bennie Moten to Charlie Parker to capture the golden age of Kansas City jazz, the fourth. more...
- Oxford University Press 2003; US$ 33.99
Kenney examines the interplay between recorded music and the key social, political, and economic forces in America during the era of the phonograph's rise and decline as the dominant medium of popular recorded sound: from the appearance of the first commercial recordings to the postwar years when the industry became more complex and less powerful. more...
- Oxford University Press 1997; US$ 39.99
In this second collection of his essays, author Santoro explores how, as music criss-crosses the globe with ever-greater speed, musicians seize what is useful to them and expand their idioms more rapidly. His subjects include: Jimi Hendrix; Paul Simon; Charles Mingus; and Thelonius Monk. more...