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- Taylor and Francis 2014; US$ 47.95
From the diverse proto-theatres of the mid-1800s, though the revues of the ?20s, the ?true musicals? of the ?40s, the politicisation of the ?60s and the ?mega-musicals? of the ?80s, every era in American musical theatre reflected a unique set of socio-cultural factors.? Nathan Hurwitz uses these factors to explain the output of each decade in turn,... more...
- Cambridge University Press 2009; US$ 36.00
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource. more...
- Taylor and Francis 2014; US$ 125.00
This book considers the activities and writings of early song collectors and proto-ethnomusicologists, memoirists, and other "musical travelers" in 19 th -century France. Each of the book?s discrete but interrelated chapters is devoted to a different geographic and discursive site of empire, examining French representations of musical encounters in... more...
- Boydell & Brewer Group Ltd 2014; US$ 65.63
The use of high male voices in the past has long been one of the most seriously misunderstood areas of musical scholarship and practice. In opening up this rich subject (to readers of all sorts) with refreshingly clear perspectives and plenty of new material, Simon Ravens' well-researched book goes a very long way to rectifying matters. Ravens writes... more...
- Taylor and Francis 2014; US$ 36.95
This collection of fourteen essays provides a rich and detailed history of the relationship between and music and image in documentary films, exploring the often overlooked role of music in the genre and its subsequent impact on an audience?s perception of reality and fiction. Exploring examples of documentary films which make use of soundtrack music,... more...
- Columbia University Press 2014; US$ 29.99
Many believe Max Steiner?s score for King Kong (1933) was the first important attempt at integrating background music into sound film, but a closer look at the industry?s early sound era (1926–1934) reveals a more extended and fascinating story. Viewing more than two hundred films from the period, Michael Slowik launches the first comprehensive study... more...
- Indiana University Press 2014; US$ 34.99
Lavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating... more...