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  • Not Russian Enough?by Rutger Helmers

    Boydell & Brewer 2014; US$ 75.00

    Offers fresh perspectives on the function of nationalist thought in the cosmopolitan opera world, with particular emphasis on the idea of "Russianness" in four nineteenth-century operas by Glinka, Serov, Tchaikovsky, and Rimsky-Korsakov. more...

  • The Musical as Dramaby Scott McMillin

    Princeton University Press 2014; US$ 24.95

    Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov... more...

  • Senza Vestimentaby Lauren McGuire Jennings

    Ashgate Publishing Ltd 2014; US$ 119.95

    Senza Vestimenta reintegrates poetic and musical traditions in late medieval Italy through a fresh evaluation of more than 50 literary sources transmitting Trecento song texts. These manuscripts have been long noted by musicologists, but until now they have been used to bolster rather than to debunk the notion that so-called 'poesia per musica'... more...

  • The Supernatural Voiceby Simon Ravens

    Boydell & Brewer 2014; US$ 80.00

    Covering a period from the Ancient World to the present day, the book suggests that until very recently, falsettists and counter-tenors have been distinct vocal genres. more...

  • The Supernatural Voiceby Simon Ravens

    Boydell & Brewer Group Ltd 2014; US$ 65.63

    The use of high male voices in the past has long been one of the most seriously misunderstood areas of musical scholarship and practice. In opening up this rich subject (to readers of all sorts) with refreshingly clear perspectives and plenty of new material, Simon Ravens' well-researched book goes a very long way to rectifying matters. Ravens writes... more...

  • Music and Sound in Documentary Filmby Holly Rogers

    Taylor and Francis 2014; US$ 36.95

    This collection of fourteen essays provides a rich and detailed history of the relationship between and music and image in documentary films, exploring the often overlooked role of music in the genre and its subsequent impact on an audience?s perception of reality and fiction. Exploring examples of documentary films which make use of soundtrack music,... more...

  • Epic Soundby Stephen C. Meyer

    Indiana University Press 2014; US$ 34.99

    Lavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating... more...

  • Christmas Carolsby Andrew Gant

    Profile Books 2014; US$ 13.31

    Everyone loves a Christmas carol - in the end, even Scrooge. They have the power to summon up a special kind of midwinter mood, like the aroma of mince pies and mulled wine and the twinkle of lights on a tree. It's a kind of magic. But how did they get that magic? In Christmas Carols Andrew Gant tells the story of some twenty carols, each... more...

  • The Advancement of Music in Enlightenment Englandby Tim Eggington

    Boydell & Brewer 2014; US$ 99.00

    Amidst the cosmopolitan, fashion-obsessed concert life of later eighteenth-century London there existed a discrete counterculture borne of native musical culture. more...

  • After the Silentsby Michael Slowik

    Columbia University Press 2014; US$ 29.99

    Many believe Max Steiner?s score for King Kong (1933) was the first important attempt at integrating background music into sound film, but a closer look at the industry?s early sound era (19261934) reveals a more extended and fascinating story. Viewing more than two hundred films from the period, Michael Slowik launches the first comprehensive study... more...