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  • The New Radicalsby Glenn Moss

    Jacana Media 2014; US$ 9.99

    Glenn Moss was a student leader at Wits University in the 1970s. Detained and charged under security legislation in the mid-1970s, he was acquitted after a year-long trial. He went on to edit the South African Review and Work in Progress , head Ravan Press, and then work as a consultant to South Africa?s first postapartheid government. more...

  • Bastard or Playmate?by Robrecht Vanderbeeken; Christel Stalpaert; David Depestel; Boris Debackere

    Amsterdam University Press 2012; US$ 35.00

    This fascinating volume explores the theme of mutating and adapting media in its relation to theatre and performance. Bringing together international scholars and artists, the editors offer a comprehensive overview of the changing nature of theater, focusing on interactivity, corporeality, liveness, surveillance, spectacle, performativity, and theatricality.... more...

  • Virtual Theatresby Gabriella Giannachi

    Taylor and Francis 2004; US$ 47.95

    The first full-length book of its kind to offer an investigation of the interface between theatre, performance and digital arts, Virtual Theatres presents the theatre of the twenty-first century in which everything - even the viewer - can be simulated. In this fascinating volume, Gabriella Giannachi analyzes the aesthetic concerns of current computer-arts... more...

  • A History of Collective Creationby Kathryn Mederos Syssoyeva; Scott Proudfit

    Palgrave Macmillan 2013; US$ 90.00

    Collective creation - the practice of collaboratively devising works of performance - rose to prominence not simply as a performance making method, but as an institutional model. By examining theatre practices in Europe and North America, this book explores collective creation's roots in the theatrical experiments of the early twentieth century. more...

  • Audience as Performerby Caroline Heim

    Taylor and Francis 2015; US$ 39.95

    'Actors always talk about what the audience does. I don?t understand, we are just sitting here.' Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research... more...

  • Theater und Taubheitby Rafael Ugarte Chacón

    transcript 2015; US$ 38.16

    Wie gestaltet man ein Theater, das die körperlichen und kulturellen Unterschiede zwischen Gehörlosen und Hörenden berücksichtigt? Wie wird dabei mit Verständigungsschwierigkeiten umgegangen? Und welche Machtgefälle und Diskriminierungsstrukturen bestehen? Diese erste umfassende Studie zum Theater von und für Gehörlose in Europa verknüpft ästhetische,... more...

  • Festivalisingby Temple Hauptfleisch; Shulamith Lev-Aladgem; Jacqueline Martin

    Editions Rodopi 2007; US$ 93.80

    Throughout the world festivals are growing – in numbers, in size, in significance – and serve as spaces where aesthetic encounters, religious and political celebrations, economic investments and public entertainment can take place. In this sense, festivals are theatrical events.This volume contains discussions of 14 diverse festival events... more...

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