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  • How to Think Like a Great Graphic Designerby Debbie Millman

    Allworth Press 2010; US$ 24.95

    Take a peek inside the heads of some of the world?s greatest living graphic designers. How do they think, how do they connect to others, what special skills do they have? In honest and revealing interviews, nineteen designers, including Stefan Sagmeister, Michael Beirut, David Carson, and Milton Glaser, share their approaches, processes, opinions,... more...

  • The Graphic Designer's Guide to Pricing, Estimating, and Budgetingby Theo Stephen Williams

    Allworth Press 2010; US$ 24.95

    This helpful guide provides startup and experienced design business owners with dozens of useful, creative methods for achieving profitability. Updated throughout with additional material on time management, expanded coverage of Web and multimedia pricing, and numerous new interviews with leading designers, this third edition is an invaluable industry... more...

  • Teaching Illustrationby Marshall Arisman; Steven Heller

    Allworth Press 2010; US$ 19.95

    Teaching Illustration is a must-have for any college-level art instructor. Packed with a wealth of illustration course syllabi from leading art and design schools across the U.S. and Europe, it offers exciting ideas on topics from editorial illustration to animation, books, and the Internet. Each syllabus includes an introduction, course requirements,... more...

  • Designing Logosby Jack Gernsheimer

    Allworth Press 2010; US$ 35.00

    How to design great logos, step by step by step. * Lavishly illustrated with 750 color images * How-tos, case studies, and detailed analysis of well-known logos What makes a logo good? What makes it bad? What makes it great? The entire process of logo design is examined, from the initial client interview to brainstorming, from first presentation... more...

  • How to Grow as an Illustratorby Michael Fleishman

    Allworth Press 2010; US$ 19.95

    Inspiring, practical, and supportive, How to Grow as an Illustrator helps artists find professional and personal support in the struggle to stay creative and make money in their field. Behind-the-scenes interviews with more than sixty of today?s most fascinating illustrators reveal how they have kept growing as artists and as individuals. Topics include... more...

  • Werkzeuge und Instrumenteby Philippe Cordez; Matthias Krüger

    De Gruyter 2012; US$ 70.00

    Was verbindet Hammer, Pinsel und Geige? Werkzeuge und Instrumente vermitteln zwischen menschlichem Körper und Materie. So genießen diese Objekte eine genuine Gemeinsamkeit, und doch gründet gerade in der Differenz beider Begriffe die abendländische Unterscheidung zwischen handwerklichen und künstlerischen bzw. musikalischen oder wissenschaftlichen... more...

  • Earth Sound Earth Signalby Douglas Kahn

    University of California Press 2013; US$ 34.95

    Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Douglas Kahn begins by evoking the Aeolian sphere music that Henry David Thoreau heard blowing along telegraph lines and the Aelectrosonic sounds of natural radio... more...

  • Die Farben imaginierter Weltenby Monika Schausten

    De Gruyter 2012; US$ 140.00

    Literatur und Kunst des europäischen Abendlands sind durch die Imagination von Farben geprägt. Die hier versammelten Beiträge arbeiten den Zusammenhang auf, der zwischen ästhetischen, religiösen und sozialen Farbdiskursen sowie ihren literarischen und bildkünstlerischen Verhandlungen besteht. An ausgewählten Beispielen vor allem der deutschen Literatur-... more...

  • Caravaggio und die Grenzen des Darstellbarenby Valeska von Rosen

    De Gruyter 2011; US$ 112.00

    Caravaggio und die Grenzen des Darstellbaren : Ambiguität, Ironie und Performativität in der Malerei um 1600 more...

  • Kurt Martin und das Musée des Beaux-Arts de Strasbourgby Tessa Friederike Rosebrock

    De Gruyter 2011; US$ 140.00

    Das Musée des Beaux-Arts de Strasbourg ist wahrscheinlich das einzige Museum Europas, das von der nationalsozialistischen Besatzung, im Sinne rechtmäßiger Eigentumsübertragungen, profitiert hat. Neben der Gründungsphase unter Wilhelm von Bode (1845?1929) müssen die Jahre 1940 bis 1944, in denen das Haus von Kurt Martin (1899?1975) geleitet wurde, als... more...