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- Knopf Doubleday Publishing Group 2014; US$ 0.99
A behind-the-scenes look at Friends, one of the most popular TV shows of all time?a wide-ranging interview with the cast and creators, excerpted from Top of the Rock, by former NBC President of Entertainment Warren Littlefield It was a little show originally called Six of One, whose pilot only tested decently with audiences?but all of that... more...
- HarperCollins 2014; US$ 14.99
"This chronicle of 2012 is a slice of what happened during a watershed year for the Hollywood movie industry. It's not the whole story, but it's a mosaic of what went on, and why, and of where things are heading." What changed in one Hollywood year to produce a record-breaking box office after two years of decline? How can the Sundance Festival influence... more...
- Palgrave Macmillan 2009; US$ 105.00
Against a backdrop of great change in technology and the economics of broadcasting and new media, this timely survey of contemporary attitudes to accountability and the public interest in broadcasting is based on over fifty interviews conducted in four democracies: India, Australia, the UK and the US. more...
- I.B.Tauris 2009; US$ 14.95
The period between the two world wars is often named "the golden age of the cinema" in Britain. This definitive and entertaining book on the cinema and cinema-goers of the era is herewith reissued with a new Introduction.Jeffrey Richards, described by Philip French as "a shrewd critic, a compulsive moviegoer, and a professional historian", tells the... more...
- McFarland & Company, Inc., Publishers 2008; US$ 35.00
From its inception in New York City, radio dramatically changed the city. The five boroughs became, in some ways, more united through the medium, as common concerns were aired and given wider attention. But as radio focused more on entertainment, the city lost the last of its small town origins, as people left the front stoop for the living room. This... more...
- Oldcastle Books 2016; US$ 14.57
Emerging filmmakers need to know the basics of their art form: the language of the camera, and lenses, the different crew roles, the formats, the aspect ratios. They also need to know some bare-bones theory: what an auteur is, what montage is, what genres are. Most important, all filmmakers require serious grounding in film. You cannot be a great artist... more...
- Princeton University Press 2011; US$ 35.00
That market forces drive the news is not news. Whether a story appears in print, on television, or on the Internet depends on who is interested, its value to advertisers, the costs of assembling the details, and competitors' products. But in All the News That's Fit to Sell , economist James Hamilton shows just how this happens. Furthermore, many... more...
- Stanford University Press 2012; US$ 29.95
Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity... more...
- I.B.Tauris 2014; US$ 14.95
From sex, lies and videotape in the 1980s to The Blair Witch Project and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived and stand out from the dominant Hollywood mainstream. But what exactly is ?independent? cinema? This, the ideal textbook and general read on indie cinema, shows... more...
- Palgrave Macmillan 2007; US$ 105.00
Americans in the 1950s faced the challenge of negotiating the new medium's place in the home and in American culture in general. Using the American Protestant experience of the introduction of television, Rosenthal illustrates the importance of the interplay between a new medium and its users. more...