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- Oxford University Press, USA 2008; US$ 49.99
Introduction. Part 1: Theory. 1. Music as Language. 2. Criteria for Analysis I. 3. Criteria for Analysis II. 4. Bridges to Free Composition. 5. Paradigmatic Analysis. Part 2: Analyses. 6. Liszt, Orpheus (1853-4). 7. Brahms, Intermezzo, op. 119 no.2 (1893), Brahms, Symphony no. 1/ii (1872-76). 8. Mahler, Symphony no. 9/i (1908-09). 9. Beethoven, String... more...
- Ashgate Publishing Ltd 2009; US$ 119.95
Sonata form is fundamentally a dramatic structure that creates, manipulates, and ultimately satisfies expectation. It engages its audience by inviting prediction, association, and interpretation. That sonata form was the chief vehicle of dramatic instrumental music for nearly 200 years is due to the power, the universality, and the tonal and stylistic... more...
- Taylor & Francis 2010; US$ 70.95
"Music Fundamentals" is both a textbook and a workbook written for students who want to learn the basics of music. Keeping in mind the student with very little or no prior knowledge of music, musical concepts are reinforced by numerous examples including global music, along with a comprehensive website for students to practice their knowledge,... more...
- ABC-CLIO 1997; US$ 27.95
Designed to serve music students at the college level, this informal approach to music theory relates the technical aspects of music with the expressive character of the art. The approach is holistic in the sense that it focuses on the interrelationships between the piece as heard by a socially conditioned listener and the notated, performed score.... more...
- Penguin Group US 2011; US$ 16.00
From one of the most trusted names in continuing education-the knowledge you need to unlock "the most abstract and sublime of all the arts." Whether you're listening in a concert hall or on your iPod, concert music has the power to move you. The right knowledge can deepen the ability of this music to edify, enlighten, and stir the soul. In How... more...
- Cambridge University Press 1996; US$ 36.00
This book provides a reassessment of the work of Heinrich Schenker. more...
- Sher Music 2011; US$ 21.00
Have you ever wondered how guitarists like Joe Pass, Jim Hall and Wes Montgomery find such full, luscious voicings for their chord melody playing? Well, much of that sound is based on the "Drop 2" principle of chord voicings. In this book, veteran guitarist Randy Vincent explains exactly how you can get that same sound too. Endorsed by Julian Lage,... more...
- Boydell & Brewer 2008; US$ 80.00
The essays in Music Theory and Mathematics: Chords, Collections, and Transformations define the state of mathematically oriented music theory at the beginning of the twenty-first century. The volume includes essays in diatonic set theory, transformation t more...