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- Springer Berlin Heidelberg 2014; US$ 78.18
This book focuses on the thorny and highly topical issue of balancing copyright in the digital age. The idea for it sprang from the often heated debates among intellectual property scholars on the possibilities and the limits of copyright. Copyright law has been broadening its scope for decades now, and as a result it often clashes with other rights... more...
- Oxford University Press 2001; US$ 164.99 US$ 141.89
This book surveys and analyzes the principal legal doctrines affecting copyright practice around the world, in both transactional and litigation settings. It provides a step-by-step methodology for advising clients involved in exploiting creative works in or from foreign countries. Written by one of the most distinguished scholars of copyright both... more...
- Pearson Education 2004; US$ 26.99
Digital piracy. It's a global war -- and it's just begun. Pirates of the Digital Millennium chronicles that war. All of it: media conglomerates vs. teenagers, tech companies vs. content providers, artists battling artists, nations vs. nations, law enforcement vs. organized crime. John Gantz and Jack Rochester cover every side and all the implications.... more...
- Springer Berlin Heidelberg 2006; US$ 169.00
This book focuses on intellectual property issues and rights in digital - dia, their connection with consumer protection, and the limits on freedom of contracts imposed by technological power. In particular, it analyzes, from a EU and U.S. comparative perspective, the complex issues concerning legal protection, technological measures and new business... more...
- Edward Elgar Publishing 2007; US$ 60.00
Traces the changes undergone and the challenges faced by copyright, as well as its roots and its diversity. This book brings together a group of copyright scholars who analyze a range of issues and aspects of copyright law, and a multiplicity of perspectives on a single topic. more...
- SAGE Publications 2005; US$ 49.00
This book develops a sociological understanding of authorship and copyright, through a case study of bootlegging. Bootlegs are copies of recordings released without the permission of the rights holder. They hold a prominent position in the pantheon of popular music. Bootlegging constitutes the first academic treatment of the subject. more...
- De Gruyter 2008; US$ 145.16
As a result of the Internet, new forms of selling and distributing music have developed that are increasingly replacing the traditional distribution channels. This development is a challenge not only to the music industry but to collecting societies as well. The cooperation between national and international collecting societies is constantly... more...