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Poetry

Most popular at the top

  • A New Matrix for Modernismby Nelljean Rice

    Taylor and Francis 2013; US$ 48.95

    First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company. more...

  • The Shakespeare Insetby Francis Berry

    Taylor and Francis 2013; US$ 225.00

    What is the relation between the language being heard and the picture being simultaneously exhibited on the stage? Typically there is an identity between sound and sight, but often there is a divergence between what the audience hears and what is sees. These divergences are 'insets' and examines the motives, mechanics and poetic qualities of these... more...

  • The Problem Plays of Shakespeareby Ernest Schanzer

    Taylor and Francis 2013; US$ 48.95

    The opening chapter traces the history of the term 'problem plays' as applied to Shakespeare and defines it more clearly and precisely than has been done in the past. Julius Caesar, Measure for Measure, Antony and Cleopatra are then discussed in separate chapters, not only as problem plays but from various points of view: such matters as themes,... more...

  • Shakespeare's Dramatic Artby Wolfgang Clemen

    Taylor and Francis 2013; US$ 54.95

    First published in 1972. Studying Shakespeare's 'art of preparation', this book illustrates the relationship between the techniques of preparation and the structure and theme of the plays. Other essays cover Shakespeare's use of the messenger's report, his handling of the theme of appearance and reality and the basic characteristics of Shakespearian... more...

  • Shakespeareby M. C. Bradbrook

    Taylor and Francis 2013; US$ 54.95

    First published in 1978. In this study, Shakespeare's own life story and the development of English theatrical history are placed in the wider context of Elizabethan and Jacobean times, but the works themselves are the final objective of this 'applied biography'. The main contention of the book is that Shakespeare's life was the lure of the stage... more...

  • Shakespeareby George Ian Duthie

    Taylor and Francis 2013; US$ 225.00

    First published in 1951. 'The book has the sterling qualities of shrewd sense and acumen that mark the 'rational' classical school of Shakespeare criticism.' Notes and Queries 'Professor Duthie's approach is direct and extremely objective. With no axe to grind, he pays impartial court to most of the great schools of Shakespearian criticism.'... more...

  • Commentary on Shakespeare's Richard IIIby Wolfgang Clemen

    Taylor and Francis 2013; US$ 48.95

    First published in 1968. Providing a detailed and rigorous analysis of Richard III, this Commentary reveals every nuance of meaning whilst maintaining a firm grasp on the structure of the play. The result is an outstanding lesson in the methodology of Shakespearian criticism as well as an essential study for students of the early plays of Shakespeare. more...

  • Shakespeare the Dramatistby Una Ellis-Fermor; Kenneth Muir

    Taylor and Francis 2013; US$ 48.95

    First published in 1961. On her death, Professor Ellis-Fermor left behind some uncollected essays and part of a book on Shakespeare the Dramatist. This volume includes the chapters of the unfinished work and three further articles on Shakespeare. It discusses Shakespeare's methods with regard to plot, character, diction, and imagery and it contains... more...

  • Shakespeare's Poeticsby Russell A Fraser

    Taylor and Francis 2013; US$ 48.95

    First published in 1962. This volume gives as complete an account as possible of the Shakespearian experience, particularly in terms of one play, King Lear, but in general against the context of all of Shakespeare's work and that of the age in which it was created. Chapters cover: King Lear in the Renaissance; Providence; Kind; Fortune; Anarchy... more...

  • Shakespeare's Rhetoric of Comic Characterby Karen Newman

    Taylor and Francis 2013; US$ 54.95

    First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander... more...