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Poetry

  • ""No Image There and the Gaze Remains"": The Visual in the Work of Jorie Grahamby Catherine Karaguezian

    Taylor and Francis 2014; US$ 48.95

    First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company. more...

  • ""Visionary Dreariness"": Readings in Romanticism's Quotidian Sublimeby Markus Poetzsch

    Taylor and Francis 2013; US$ 48.95

    Visionary Dreariness: Readings in Romanticism?s Quotidian Sublime undertakes a reconceptualization of the theoretical and experiential framework of the Romantic sublime by shifting the focus from Burke?s and Kant?s prescriptions of natural vastness and grandeur to the narrower but no less wondrous spaces, objects and experiences of everyday life.... more...

  • "Arms, and the Man I sing . . ."by Arvid Løsnes

    University of Delaware 2011; US$ 89.99

    This study referred to as a "preface" is given this designation because its basic aim is not to offer an up-to-date overall assessment of Dryden's translation of Virgil's Æneid but, rather, to provide a relevant basis for such an assessment ?thus allowing for a wide range of readership. The relevance of this approach rests on two basic premises:... more...

  • 'Counterfeiting' Shakespeareby Brian Vickers

    Cambridge University Press 2002; US$ 47.00

    Vickers examines authorship claims for two poems, finding neither to be the work of Shakespeare. more...

  • "Ich bringe einen Sänger Dir vom Norden ?"by Erwin Wedel

    Harrassowitz Verlag 2014; US$ 39.47

    1861 erschien in München unter dem Titel ?Feodor Iwanowitsch Tjutschew?s Lyrische Gedichte. In den Versmaaßen des Originals dem Russischen nachgebildet von Heinrich Noé? die früheste deutschsprachige Gedichtsammlung des bedeutenden russischen Dichters F. I. Tjutcev (1803?1873). Heinrich Noé hat damit nicht nur die früheste fremdsprachige Übertragung... more...

  • "Nord liegt so nah wie West"by Jan Röhnert

    Wallstein Verlag 2014; US$ 12.45

    Der Raum als poetische Kategorie liegt buchstäblich in der Luft: Seine Koordinaten schreiben sich von seinem Verhältnis zu den »vier Winden«, den vier »Himmels-« oder »Weltrichtungen«, zu Norden, Süden, Osten, Westen her. Sie sind gleichermaßen räumliche Orientierungsmarken wie Vektoren der Imagination, konturieren damit nicht nur die äußere, sondern... more...

  • (Re:)Working the Groundby James Maynard

    Palgrave Macmillan 2011; US$ 95.00

    This collection of essays focuses on the remarkable group of texts comprising the late writings of Robert Duncan. Although praised by reviewers, Duncan's last two books of poetry have yet to receive the critical attention they merit. Written by a cast of emerging and established scholars, these essays bring together a diverse set of approaches to... more...

  • The 20th Century in Poetryby Simon Rae; Michael Hulse

    Ebury Publishing 2012; US$ 37.35

    This ground-breaking anthology presents in chronological order over 400 poems written in the twentieth century. The authors, both published poets themselves, give an overview of each period of history, while notes to the poems place each one in its historical context and trace the century's poetic development. Concise biographies for each poet complete... more...

  • The 6.5 Practices of Moderately Successful Poetsby Jeffrey Skinner

    Sarabande Books 2012; US$ 15.95

    Everything you wanted to know about being a moderately successful poet, but were too tired to ask. more...

  • Accepting the Disasterby Joshua Mehigan

    Farrar, Straus and Giroux 2014; US$ 23.99

    An astonishing new collection from one of our finest emerging poets A shark?s tooth, the shape-shifting cloud drifting from a smokestack, the smoke detectors that hang, ominous but disregarded, overhead?very little escapes the watchful eye of Joshua Mehigan. The poems in Accepting the Disaster range from lyric miniatures like ?The Crossroads,?... more...