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  • Erzähltheorie in mediävistischer Perspektiveby Armin Schulz; Manuel Braun; Alexandra Dunkel; Jan-Dirk Müller

    De Gruyter 2012; US$ 210.00

    Narratology from the Perspective of Medieval Studies systematically compiles research on the ?otherness?  of medieval narratives. It places a particular focus on the way that narrative forms are always linked to the meaning of narrative content. Key topics include genre, narrative patterns, connections to contemporary world knowledge,... more...

  • Breaking the Rulesby David Savran; Peter Sellars

    Theatre Communications Group 1993; US$ 17.99

    Through interviews and descriptions of methodology, Breaking the Rules captures the essence of major works by the internationally acclaimed avant-garde company. more...

  • Stage Lighting Designby Neil Fraser

    Crowood 2011; US$ 18.94

    In Stage Lighting Design Neil Fraser, who teaches the subject at RADA, provides a comprehensive guide to designing effective and appropriate stage lighting. Assuming no previous knowledge, the book guides the reader through the various aspects involved in this craft. The text is accompanied by practical exercises to encourage the reader to explore... more...

  • Stage Designby Gary Thorne

    Crowood 2011; US$ 18.94

    In Stage Design - A Practical Guide Gary Thorne, a freelance theatre set and costume designer, introduces the concept of art and design for performance, drawing on his considerable experience in a wide variety of theatres. The book begins from first principles, and assumes no prior knowledge of the subject. Each chapter contains clear, concise text... more...

  • Filming on a Microbudgetby Paul Hardy

    Oldcastle Books 2012; US$ 7.99

    So you want to make a film? It's the only way to get into the film industry. No one's going to let you play with the kind of money it takes to make a feature film until you've already proven yourself by making a great short film. You can do that at film school - if you can afford to go to film school. If you can't, then you're going to have to make... more...

  • Deadline at Dawnby Judith Williamson

    Marion Boyars 1993; US$ 17.49

    Judith Williamson takes herself to the movies, and this book contains the reviews she wrote as film critic for Time Out, City Limits, the radical alternative London weekly listings paper, and the New Statesman. This book contains her journalism, analysis of those times and her career as a journalist in a turbulent  England with fierce labour relations... more...

  • The Viewpoints Bookby Anne Bogart; Tina Landau

    Theatre Communications Group 2004; US$ 18.99

    First major exploration of a ground-breaking new technique for actors and theatre artists. more...

  • American Cinema of the 1920sby Lucy Fischer; Angela Dalle Vacche; Jennifer M. Bean; Sumiko Higashi; Michael Aronson; Mark Anderson; Sara Ross; Gwenda Young; Maureen Turim; Marcia Landy; Lucy Fischer

    Rutgers University Press 2009; US$ 26.95

    In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era that witnessed the birth of the star system that supported the meteoric rise and celebrity status of actors, including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and... more...

  • The Cinema of George A. Romeroby Tony Williams

    Columbia University Press 2012; US$ 15.99

    The Cinema of George A. Romero: Knight of the Living Dead is the first in-depth study in English of the career of this foremost auteur working at the margins of the Hollywood mainstream in the horror genre. In placing Romero's oeuvre in the context of literary naturalism, the book explores the relevance of the director's films within American cultural... more...

  • Eye of the Centuryby Francesco Casetti

    Columbia University Press 2008; US$ 31.99

    Is it true that film in the twentieth century experimented with vision more than any other art form? And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity. He suggests that film defined a unique gaze, not only because it... more...