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- Indiana University Press 2007; US$ 44.99
Revised and expanded since it first appeared in 1991, the guide features two new chapters on ornamentation and rehearsal techniques, as well as updated reference materials, internet resources, and other new material made available only in the last decade. The guide is comprised of focused chapters on performance practice issues such as vocal and... more...
- Cambridge University Press 1994; US$ 52.00
In considering the role of practical music in education, this book attempts to define the art of performance in Germany during the Baroque period. more...
- Morgan & Claypool Publishers 2013; US$ 55.00
Digital measurement of the analog acoustical parameters of a music performance hall is difficult. The aim of such work is to create a digital acoustical derivation that is an accurate numerical representation of the complex analog characteristics of the hall. The present study describes the exponential sine sweep (ESS) measurement process in the derivation... more...
- Clarendon Press 1999; US$ 64.99
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain.... more...
- Oxford University Press, USA 2011; US$ 22.99
Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly... more...
- Indiana University Press 2013; US$ 25.99
Written by a leading authority and artist of the historical transverse flute, The Notation Is Not the Music offers invaluable insight into the issues of historically informed performance and the parameters?and limitations?of notation-dependent performance. As Barthold Kuijken illustrates, performers of historical music should consider what is written... more...
- Routledge 2006; US$ 35.00
Intended for college-level music majors, this collection traces the history of orchestration, beginning with Beethoven's Orchestra (with writings by Berlioz, Wagner, Gounod, Mahler, and others). It illuminates how orchestration has grown and developed, and offers a variety of theories that have been embraced by practitioners in the field. more...