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  • The Rise of a Jazz Art Worldby Paul Lopes

    Cambridge University Press 2002; US$ 38.00

    A unique sociological vision of the evolution of jazz music in the twentieth century, first published in 2002. more...

  • Western Music and Its Othersby Georgina Born; David Hesmondhalgh

    University of California Press 2000; US$ 15.95

    This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent... more...

  • Jazz in Its Timeby Martin Williams

    Oxford University Press 1991; US$ 19.95

    From record album liner notes to serious academic pieces, Martin Williams has been perceptively chronicling the development of jazz for over three decades. In this, his newest collection of jazz writings, Williams brings together many of his best pieces and covers new ground, with short columns on Teddy Wilson and George Winston and a longer article,... more...

  • Jazz Changesby Martin Williams

    Oxford University Press 1993; US$ 19.95

    Jazz Changes is the late Martin Williams's third and perhaps best collection of jazz portraits, interviews, narrative accounts of recording sessions, rehearsals, and performances, important liner notes, and far reaching discussions of musicians and their music. The collection includes thirty years of Williams's finest pieces taking readers on an engaging... more...

  • The Jazz Revolutionby Kathy J. Ogren

    Oxford University Press 1992; US$ 19.95

    Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along... more...

  • Wrong's What I Do Bestby Barbara Ching

    Oxford University Press 2000; US$ 44.99

    This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses... more...

  • Tradition & Change Performanceby Tsao Penyeh

    Taylor and Francis 2012; US$ 43.95

    More than five thousand years of rich cultural history have made Chinese music an immensely sophisticated, multi-faceted artistic phenomenon that consists of diverse regional and transregional traditions. more...

  • Chicago Jazzby William Howland Kenney

    Oxford University Press 1995; US$ 19.95

    Charts the development of jazz in Chicago before, during and after World War I. In addition to detailing the technical aspects of the jazz form that evolved during this time, the author describes the social and political ramifications of early urban jazz. more...

  • Echoes of Historyby Helen Rees

    Oxford University Press 2000; US$ 40.00

    Based on fieldwork and documentary research, this study is a chronicle of 200 years of the musical history of Lijiang County in China's southern Yunnan Province. It focuses on Dongjing music, repertoire borrowed from China's Han ethnic majority by the indigenous Naxi inhabitants of Lijiang County. more...

  • From Birdland to Broadwayby Bill Crow

    Oxford University Press 1994; US$ 19.95

    An anecdotal autobiography of Bill Crow's career in jazz, from his arrival in New York City in the 1950s to his professional life as a jazz bassist, playing with the likes of Benny Goodman, Gerry Mulligan, Charlie Parker, Dizzy Gillespie and Marian McPartland. more...