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- Oxford University Press 2000; US$ 46.99
This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses... more...
- Oxford University Press 1995; US$ 19.95
Charts the development of jazz in Chicago before, during and after World War I. In addition to detailing the technical aspects of the jazz form that evolved during this time, the author describes the social and political ramifications of early urban jazz. more...
- Oxford University Press 2000; US$ 40.00
Based on fieldwork and documentary research, this study is a chronicle of 200 years of the musical history of Lijiang County in China's southern Yunnan Province. It focuses on Dongjing music, repertoire borrowed from China's Han ethnic majority by the indigenous Naxi inhabitants of Lijiang County. more...
- Oxford University Press 2005; US$ 13.99
There were but four major galaxies in the early jazz universe, and three of them - New Orleans, Chicago, and New York - have been well-documented in print. In this colorful history, Frank Driggs and Chuck Haddix range from ragtime to bebop and from Bennie Moten to Charlie Parker to capture the golden age of Kansas City jazz, the fourth. more...
- Oxford University Press 1993; US$ 39.99
A blend of musical history and criticism, this study of jazz includes chapters on King Oliver, Jelly Roll Morton, John Coltrane and Ornette Coleman. In addition to an expanded essay on Count Basie, this edition includes pieces on Eric Dolphy, Bill Evans and the World Saxophone Quartet. more...
- Oxford University Press 2005; US$ 39.99
Electric Folk - Revival and Transformation of English Traditional Music chronicles the history of the genre and explores its cultural implications. It characterizes electric folk as both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad. more...
- Oxford University Press 2002; US$ 37.99
Music educators and practicing musicians have failed to benefit as much as they could from music psychology research. Parncutt and McPherson propose to improve the situation by describing new approaches, informed by recent psychological research, to teaching music, learning music, and making music at all educational levels. more...