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  • Schlingensief und das Operndorf Afrikaby Jan Endrik Niermann

    Springer 2013; US$ 39.95

    Alterität wird in Lateinamerika zusehends unter dem Schlagwort des Dekolonialismus aufgerollt. Einer der „Vordenker" dieser Eurozentrismuskritik ist der argentinische Befreiungsphilosoph Enrique Dussel. Ihm kommt eine entscheidende - im deutschsprachigen Diskurs jedoch kaum beachtete - Rolle in der Konzeptualisierung von Alterität... more...

  • Irresistible Forcesby Trevor Merriden

    John Wiley & Sons, Ltd. 2001; US$ 29.95

    This book is about - but not only about - Napster. The story of Napster is important in its own right, but its legacy even more so. The phenomenon that surrounds Napster has highlighted the extraordinary potential for the mass mobilisation of consumer and community power. This irresistible force - the underground Internet - has blown apart conventional... more...

  • Brands That Rockby Roger Blackwell; Tina Stephan

    Wiley 2004; US$ 27.95

    The unique ability of rock and roll to inspire fanatical support from its customers is undeniable; the loyalty showered upon the Rolling Stones, Elton John, Aerosmith, and others who create it, unmatched; and the lessons for corporate America, endless. In the past, business leaders have looked to the successes of other firms to guide their own strategies... more...

  • Lift Every Voice and Singby Julian Bond; Sondra Kathryn Dr Wilson

    Random House Publishing Group 2001; US$ 29.95

    "A group of young men in Jacksonville, Florida, arranged to celebrate Lincoln's birthday in 1900. My brother, J. Rosamond Johnson, and I decided to write a song to be sung at the exercise. I wrote the words and he wrote the music. Our New York publisher, Edward B. Marks, made mimeographed copies for us and the song was taught to and sung by a chorus... more...

  • The Rise of a Jazz Art Worldby Paul Lopes

    Cambridge University Press 2002; US$ 38.00

    A unique sociological vision of the evolution of jazz music in the twentieth century, first published in 2002. more...

  • Western Music and Its Othersby Georgina Born; David Hesmondhalgh

    University of California Press 2000; US$ 15.95

    This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent... more...

  • Jazz in Its Timeby Martin Williams

    Oxford University Press 1991; US$ 19.95

    From record album liner notes to serious academic pieces, Martin Williams has been perceptively chronicling the development of jazz for over three decades. In this, his newest collection of jazz writings, Williams brings together many of his best pieces and covers new ground, with short columns on Teddy Wilson and George Winston and a longer article,... more...

  • Jazz Changesby Martin Williams

    Oxford University Press 1993; US$ 19.95

    Jazz Changes is the late Martin Williams's third and perhaps best collection of jazz portraits, interviews, narrative accounts of recording sessions, rehearsals, and performances, important liner notes, and far reaching discussions of musicians and their music. The collection includes thirty years of Williams's finest pieces taking readers on an engaging... more...

  • The Jazz Revolutionby Kathy J. Ogren

    Oxford University Press 1992; US$ 19.95

    Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along... more...

  • Wrong's What I Do Bestby Barbara Ching

    Oxford University Press 2000; US$ 44.99

    This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses... more...