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- Wiley 2004; US$ 33.00
The unique ability of rock and roll to inspire fanatical support from its customers is undeniable; the loyalty showered upon the Rolling Stones, Elton John, Aerosmith, and others who create it, unmatched; and the lessons for corporate America, endless. In the past, business leaders have looked to the successes of other firms to guide their own strategies... more...
- Random House Publishing Group 2001; US$ 29.95
"A group of young men in Jacksonville, Florida, arranged to celebrate Lincoln's birthday in 1900. My brother, J. Rosamond Johnson, and I decided to write a song to be sung at the exercise. I wrote the words and he wrote the music. Our New York publisher, Edward B. Marks, made mimeographed copies for us and the song was taught to and sung by a chorus... more...
- University of California Press 2000; US$ 15.95
This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent... more...
- Oxford University Press 1991; US$ 19.95
From record album liner notes to serious academic pieces, Martin Williams has been perceptively chronicling the development of jazz for over three decades. In this, his newest collection of jazz writings, Williams brings together many of his best pieces and covers new ground, with short columns on Teddy Wilson and George Winston and a longer article,... more...
- Oxford University Press 1993; US$ 19.95
Jazz Changes is the late Martin Williams's third and perhaps best collection of jazz portraits, interviews, narrative accounts of recording sessions, rehearsals, and performances, important liner notes, and far reaching discussions of musicians and their music. The collection includes thirty years of Williams's finest pieces taking readers on an engaging... more...
- Oxford University Press 1992; US$ 19.95
Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along... more...
- Oxford University Press 2000; US$ 46.99
This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses... more...
- Oxford University Press 1995; US$ 19.95
Charts the development of jazz in Chicago before, during and after World War I. In addition to detailing the technical aspects of the jazz form that evolved during this time, the author describes the social and political ramifications of early urban jazz. more...
- Oxford University Press 2000; US$ 40.00
Based on fieldwork and documentary research, this study is a chronicle of 200 years of the musical history of Lijiang County in China's southern Yunnan Province. It focuses on Dongjing music, repertoire borrowed from China's Han ethnic majority by the indigenous Naxi inhabitants of Lijiang County. more...