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  • Der Blues der Frauen: Zur Rolle der Frau in einem Genre der populären Musikby Sandra Malik

    Diplomica Verlag 2013; US$ 22.08

    Blues- ein Begriff der nicht nur eine Musikform beschreibt. Oft auch als Devils Music deklariert, wird dem Blues die Seele der afroamerikanischen Bevölkerung zugesprochen. Immer geprägt von dem geradezu romantisierten Bild des authentifizierten Bluesmusikers: ländlich, männlich, einsam, ziellos, besitzlos, unkommerziell und durchdrungen von Kummer... more...

  • Portrait Galleryby Edward Greenfield

    Elliott & Thompson 2014; US$ 12.73

    From Leonard Bernstein to Benjamin Britten, André Previn and Igor Stravinsky, Edward Greenfield had the privilege of getting to know some of the 20th century?s greatest composers, conductors and performers. His lifelong career as a music critic for the Guardian and Gramophone has taken him around the world and left him with an endless source of fascinating... more...

  • The Insider's Guide to Music Licensingby Brian Tarquin

    Allworth Press 2014; US$ 19.95

    First-hand advice for musicians from Brian Tarquin, author, who has over twenty years of experience in licensing music to record labels, TV shows, feature films, radio promos, and network promos. This book takes you through how licensing really works: what type of royalties are expected, digital royalties from companies, receiving royalties from iTunes,... more...

  • All The Moves (But None of the Licks)by Clive Selwood; John Peel

    Peter Owen Publishers 2014; US$ 13.11

    Clive Selwood is the man who invented ‘chart hyping? in the first place, the man who started the first ‘hippie? record label and who pioneered the concept of radio ‘session? recordings with one of the most successful independent record labels ever. Replacing Des O?Connor as a Butlin Redcoat, falling foul of London gangsters, taking a major record... more...

  • Tonality 1900?1950by Felix Wörner; Ullrich Scheideler; Philip Rupprecht

    Franz Steiner Verlag 2012; US$ 34.46

    <P>Tonality ? or the feeling of key in music ? achieved crisp theoretical definition in the early 20th century, even as the musical avant-garde pronounced it obsolete. The notion of a general collapse or loss of tonality, ca. 1910, remains influential within music historiography, and yet the textbook narrative sits uneasily with a continued flourishing... more...

  • Das Publikum macht die Musikby Sven-Oliver Müller

    Vandenhoeck & Ruprecht 2014; US$ 35.33

    Sven Oliver Müller und Jürgen Osterhammel haben bereits in dem Heft »Musikalische Kommunikation« (Geschichte und Gesellschaft 2012/1) die Grundlage gelegt: »Warum sollten sich Historikerinnen und Historiker mit Musik beschäftigen?« Weil, so ihre Antwort, »Musik das globalisierte Kulturgut par excellence« ist. Sven Oliver Müller hat diesen Auftrag nun... more...

  • Antiphonal Historiesby Julia Byl

    Wesleyan University Press 2014; US$ 23.99

    A vivid ethnography and in-depth history of musical performance in North Sumatra more...

  • Musik im interkulturellen Kontextby Max P Baumann

    Traugott Bautz 2005; US$ 7.07

    "Musik" (sg.) beinhaltet im kulturüberschreitenden Diskurs immer schon ein Stück des eigenen, ethnozentrisch gebundenen Selbstverständnisses. Sie impliziert im erweiterten Konzept der "Musiken der Welt" (pl.) bereits das Fremdverständnis vom "Anderen" und definiert sich in der Reflexion darauf als Wechselbeziehung kulturspezifischer Konstrukte. Als... more...

  • Music \= Cultures in Contactby Margaret J. Kartomi; Stephen Blum

    Taylor and Francis 2014; US$ 51.95

    First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company. more...

  • Music and Modern Artby James Leggio

    Taylor and Francis 2014; US$ 130.00

    Music and Modern Art adopts an interdisciplinary approach to the relationship between these two fields of creative endeavor. more...