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  • Western Music and Its Othersby Georgina Born; David Hesmondhalgh

    University of California Press 2000; US$ 15.95

    This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent... more...

  • Jazz in Its Timeby Martin Williams

    Oxford University Press 1991; US$ 19.95

    From record album liner notes to serious academic pieces, Martin Williams has been perceptively chronicling the development of jazz for over three decades. In this, his newest collection of jazz writings, Williams brings together many of his best pieces and covers new ground, with short columns on Teddy Wilson and George Winston and a longer article,... more...

  • Jazz Changesby Martin Williams

    Oxford University Press 1993; US$ 19.95

    Jazz Changes is the late Martin Williams's third and perhaps best collection of jazz portraits, interviews, narrative accounts of recording sessions, rehearsals, and performances, important liner notes, and far reaching discussions of musicians and their music. The collection includes thirty years of Williams's finest pieces taking readers on an engaging... more...

  • The Jazz Revolutionby Kathy J. Ogren

    Oxford University Press 1992; US$ 19.95

    Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along... more...

  • Wrong's What I Do Bestby Barbara Ching

    Oxford University Press 2000; US$ 44.99

    This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses... more...

  • From Birdland to Broadwayby Bill Crow

    Oxford University Press 1994; US$ 19.95

    An anecdotal autobiography of Bill Crow's career in jazz, from his arrival in New York City in the 1950s to his professional life as a jazz bassist, playing with the likes of Benny Goodman, Gerry Mulligan, Charlie Parker, Dizzy Gillespie and Marian McPartland. more...

  • Jazzby James Lincoln Collier

    Oxford University Press 1995; US$ 19.95

    More than a chronological history of a unique musical form, this study examines how jazz influenced American society. The author argues that jazz both reflects and celebrates a uniquely American world view. more...

  • Swing to Bopby Ira Gitler

    Oxford University Press 1987; US$ 29.99

    More than fifty major figures in jazz preserve for posterity their recollections of how jazz moved from the big band era in the late 1930s and 1940s into the modern jazz period. more...

  • Kansas City Jazzby Frank Driggs; Chuck Haddix

    Oxford University Press 2005; US$ 13.99

    There were but four major galaxies in the early jazz universe, and three of them - New Orleans, Chicago, and New York - have been well-documented in print. In this colorful history, Frank Driggs and Chuck Haddix range from ragtime to bebop and from Bennie Moten to Charlie Parker to capture the golden age of Kansas City jazz, the fourth. more...

  • The Jazz Sceneby W. Royal Stokes

    Oxford University Press 1993; US$ 18.99

    This is an informal history of New Orleans jazz from the turn of the 20th century to the present day, as told by the musicians themselves in interviews conducted by the author. more...