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  • Tour:Smartby Martin Atkins

    Chicago Review Press 2007; US$ 23.99

    From packing the right equipment to keeping enough gas in the tank to get home, every aspect of making a successful tour with a band is addressed in this comprehensive guide. More than 100 luminaries and leading organizations from the world of touringamong them Chris Connelly, Henry Rollins, the House of Blues, and the Vans Warped Tour, as well... more...

  • Oorspronkelijkheid in muziekby R. de Groot

    Amsterdam University Press 2004; US$ 10.50

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  • Experimental Musicby Gail Priest

    University of NSW Press 2008; US$ 19.99

    Experimental music has been mostly unrecognised in Australia, but it is in this ‘underground’ area that the major innovations and creative developments in music occur. Through testing perceived boundaries, breaking rules and creating new forms, the artists in this field force us to question what, in fact, music is. Written by artists who... more...

  • Beyond the Batonby Diane Wittry

    Oxford University Press 2006; US$ 22.99 US$ 19.77

    Beyond the Baton is a view of the music director's job from the inside - starting at the moment you decide you want to be a conductor, through your first job, to being a successful artistic leader within a community. This book will revolutionize the way a conductor thinks about their duties, both on and off the podium, and give a glimpse of the realities... more...

  • The British Folk Revivalby Dr Michael Brocken; Professor Stan Hawkins; Professor Lori Burns

    Ashgate Publishing Ltd 2013; US$ 49.95

    The British Folk Revival is the very first historical and theoretical work to consider the post-war folk revival in Britain from a popular music studies perspective. Michael Brocken provides a historical narrative of the folk revival from the 1940s up until the 1990s, beginning with the emergence of the revival from within and around the left-wing... more...

  • The Discourse of Musicologyby Giles Hooper

    Ashgate Publishing Ltd 2013; US$ 149.95

    In The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology. The first part of the book seeks to situate and critically rethink the alleged 'postmodern' turn in musical scholarship. Then, in attempting to overcome some of the problems typically associated... more...

  • Re-thinking Universal Service Policy for the Digital Eraby Dr Claudio Feijoo; Claire Milne; Boris Rotenberg

    Emerald Group Publishing Limited 2008; US$ 199.00

    This e-book aims to provide support to the policy process with regard to universal service in a digital context. The papers in the issue highlight developments that are shaking up the current universal service model. They consider universal service from a set of different dimensions, encompassing both demand and supply side considerations. Also a comparative... more...

  • Living with Jazzby Dan Morgenstern

    Knopf Doubleday Publishing Group 2009; US$ 35.00

    A collection of essays, biographical profiles, and critical analyses by one of the twentieth century's leading jazz writers includes commentary on the work of jazz entertainers, including Duke Ellington, Ella Fitzgerald, John Coltrane, Dizzy Gillespie, and Louis Armstrong, as well as assessment of the role of jazz in contemporary culture and its influence... more...

  • Sing For Your Supperby David Rovics

    PM Press 2008; US$ 4.95

    Succinct and to the point, David Rovics demystifies the very different skills necessary to cultivate the arts of songwriting, guitar-playing and tour booking. In an era when the truly independent record label is virtually a thing of the past, Rovics explains how itas possible to make a living as a recording artist without a label. At a time when... more...

  • Who Needs Classical Music?by Julian Johnson

    Oxford University Press 2011; US$ 12.99 US$ 11.17

    During the last few decades, most cultural critics have come to agree that the division between "high" and "low" art is an artificial one, that Beethoven's Ninth and "Blue Suede Shoes" are equally valuable as cultural texts. In Who Needs Classical Music? , Julian Johnson challenges these assumptions about the relativism of cultural judgements. The... more...