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- University of California Press 2004; US$ 15.95
In a highly influential essay, Rose Rosengard Subotnik critiques "structural listening" as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume, prominent young music historians and theorists writing on repertories ranging from Beethoven to MTV, take up Subotnik?s challenge in... more...
- De Gruyter 2006; US$ 587.00
Volume 8 closes this edition of Meyerbeer's correspondence, personal journals and pocket diaries and provides the reader with detailed information about public music life in Berlin, London and Paris during the time from 1860 to 1864. Especially interesting are the documents on his work as the Prussian general music director under Wilhelm I and his... more...
- Princeton University Press 2014; US$ 35.00
In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music's realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle... more...
- Princeton University Press 1996; US$ 46.95
Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context,... more...
- Lexington Books 2014; US$ 79.99
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music , edited by Eric James Abbey and Colin Helb, is a collection of writings on music that is considered aggressive throughout the world. This collection reflects the importance of aggressive music within our society and how this music effects and informs contemporary issues. ... more...
- University Press of Mississippi 2013; US$ 187.50
To Do This, You Must Know How traces black vocal music instruction and inspiration from the halls of Fisk University to the mining camps of Birmingham and Bessemer, Alabama, and on to Chicago and New Orleans. In the 1870s, the Original Fisk University Jubilee Singers successfully combined Negro spirituals with formal choral music disciplines, and... more...
- Amsterdam University Press 2011; US$ 47.50
In Austronesia?the region that stretches from Madagascar in the west to Easter Island in the east?music plays a vital role in both the construction and expression of social and cultural identities. Yet research into the music of Austronesia has hitherto been sparse. Drawing together contemporary cultural studies and musical analysis, Austronesian... more...
- Rutgers University Press 2010; US$ 23.95
In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness-especially black masculinity-remained a marker of authenticity. Blues Music in the Sixties... more...
- Palgrave Macmillan 2015; US$ 95.00
New Wave: Image is Everythin g traces the evolution of the often neglected pop music genre, new wave. Using artists from Elvis Costello to Cyndi Lauper as illustrations, the book argues that new wave was among the first flowerings of postmodern theory in popular culture. more...
- Springer 2013; US$ 109.00
Tonal music, from a historical perspective, is far from homogenous; yet an enduring feature is a background "diatonic" system of exactly seven notes orderable cyclically by fifth. What is the source of the durability of the diatonic system, the octave of which is representable in terms of two particular integers, namely 12 and 7? And how is this durability... more...