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- Oxford University Press 1996; US$ 54.99 US$ 47.29
What are the new directions in ethnomusicological fieldwork? What do we see when we acknowledge the shadows we cast in the field? Will fieldwork continue as an integral part of ethnomusicological theory and method? Glancing forward and backward, the authors in this collection explore a range of issues that can help ethnomusicologists and those who... more...
- Princeton University Press 2014; US$ 38.95 US$ 31.16
In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music's realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle... more...
- Princeton University Press 1996; US$ 52.00 US$ 41.60
Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context,... more...
- Lexington Books 2014; US$ 39.99
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music , edited by Eric James Abbey and Colin Helb, is a collection of writings on music that is considered aggressive throughout the world. This collection reflects the importance of aggressive music within our society and how this music effects and informs contemporary issues. more...
- Rutgers University Press 2010; US$ 23.95
In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness-especially black masculinity-remained a marker of authenticity. Blues Music in the Sixties... more...
- Palgrave Macmillan 2015; US$ 95.00
New Wave: Image is Everythin g traces the evolution of the often neglected pop music genre, new wave. Using artists from Elvis Costello to Cyndi Lauper as illustrations, the book argues that new wave was among the first flowerings of postmodern theory in popular culture. more...
- Wiley 2014; US$ 28.95 US$ 25.09
At the beginning of his career in the 1920s, Adorno sketched a plan to write a major work on the theory of musical reproduction, a task he returned to time and again throughout his career but never completed. The choice of the word reproduction as opposed to interpretation indicates a primary supposition: that there is a clearly defined musical text... more...
- Springer Berlin Heidelberg 2013; US$ 109.00
Tonal music, from a historical perspective, is far from homogenous; yet an enduring feature is a background "diatonic" system of exactly seven notes orderable cyclically by fifth. What is the source of the durability of the diatonic system, the octave of which is representable in terms of two particular integers, namely 12 and 7? And how is this durability... more...
- University of California Press 2002; US$ 15.95 US$ 12.76
From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's vibrant and original book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century,... more...
- University of California Press 2012; US$ 36.95 US$ 29.56
What is jazz? What is gained?and what is lost?when various communities close ranks around a particular definition of this quintessentially American music? Jazz/Not Jazz explores some of the musicians, concepts, places, and practices which, while deeply connected to established jazz institutions and aesthetics, have rarely appeared in traditional... more...