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  • Theatre Symposium, Vol. 17by Jay Malarcher; Charlotte J. Headrick; Martha S. LoMonaco; Jane Barnette; Andrew Vorder Bruegge; Jeanmarie Higgins Williams; Angela Sweigart Gallagher; Landis K. Magnuson

    University of Alabama Press 2011; US$ 29.95

    Outdoor drama takes many forms: ancient Greek theatre, open-air performances of Shakespeare at summer festivals, and re-enactments of landmark historical events. The essays gathered in "Outdoor Performance," Volume 17 of the annual journal Theatre Symposium, address outdoor theatre's many manifestations, including the historical and non-traditional.... more...

  • Theatre Symposium, Vol. 18by Theatre Symposium; J K Curry

    University of Alabama Press 2011; US$ 29.95

    Stage properties are an often-ignored aspect of theatrical productions, in part because their usage is meant to be seamlessly integrated into the performance instead of a focal point for the audience. However, a skillfully used prop can augment the action, just as a malfunctioning prop can destroy the illusion of the scene. The essays in ?Theatre... more...

  • In Search of Donna Reedby Jay Fultz

    University of Iowa Press 1998; US$ 25.95

    But who was Donna Reed? Perhaps no celebrity of her symbolic importance is so little known. Moving from the backroads of Iowa to the mansions of Bel Air, Jay Fultz goes in search of the woman behind the image. In Search of Donna Reed reveals a woman whose intelligence and force of character often put her at odds with the roles she portrayed... more...

  • Melodramatic Formationsby Bruce A. Mcconachie

    University of Iowa Press 1992; US$ 42.95

    The middle years of the nineteenth century were a time of dynamic artistic and social changes in America. Now, Melodramatic Formations is the first study to trace these changes in popular stage melodrama's production, dramatic form, and audience reception. Bruce McConachie shows how the theatrical mutability that characterized the years 1820 to... more...

  • The Recurrence of Fateby Spencer Jay Golub

    University of Iowa Press 1994; US$ 29.95

    How, why, and according to whose definitions and requirements does a culture self-consciously create memory and project its fate? In this remarkable book?the first in English to treat Russian history as theatre and cultural performance?Spencer Golub reveals the performative nature of Russian history in the twentieth century and the romantic imprisonment/self-imprisonment... more...

  • The Theatrical Eventby Willmar Sauter

    University of Iowa Press 1753; US$ 29.95

    The Theatrical Event  discusses the objectives of theatre studies by focusing on the communicative encounter between performer and spectator?the theatrical event. A theatrical event includes the presentation of a performance and the attention of an audience; in this sense, every performance?on stage or in the street, historical or contemporary?that... more...

  • Czech Theatre Design in the Twentieth Centuryby Joe Brandesky

    University of Iowa Press 2007; US$ 16.95

    This compilation of essays and images reveals an essential and valuable component of Czech contributions to the world of modern theatre heretofore largely unseen outside the country itself. Featuring the craft of twenty-seven of the best stage and costume designers of the twentieth century,Brandesky supplies ample evidence of their consistently high... more...

  • Writing and Rewriting National Theatre Historiesby S.E. Wilmer

    University of Iowa Press 2009; US$ 29.95

    Historians of theatre face the same temptations and challenges as other historians: they negotiate assumptions (their own and those of others) about national identity and national character; they decide what events and actors to highlight--or omit--and what framework and perspective to use for telling the story. Personal biases, trends in scholarship,... more...

  • Jews and the Making of Modern German Theatreby Jeanette R. Malkin; Freddie Rokem

    University of Iowa Press 2010; US$ 29.95

    While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish... more...

  • Representing the Pastby Charlotte M. Canning; Thomas Postlewait

    University of Iowa Press 2010; US$ 29.95

    How do historians represent the past? How do theatre historians represent performance events? The fifteen challenging essays in Representing the Past: Essays in Performance Historiography focus on the fundamental epistemological conditions and procedures that serve as the foundational ideas that guide all historians in their endeavors. Unified by their... more...