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Most popular at the top
- University of Iowa Press 2009; US$ 29.95
Historians of theatre face the same temptations and challenges as other historians: they negotiate assumptions (their own and those of others) about national identity and national character; they decide what events and actors to highlight--or omit--and what framework and perspective to use for telling the story. Personal biases, trends in scholarship,... more...
- University of Iowa Press 2010; US$ 29.95
While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish... more...
- University of Iowa Press 2010; US$ 29.95
How do historians represent the past? How do theatre historians represent performance events? The fifteen challenging essays in Representing the Past: Essays in Performance Historiography focus on the fundamental epistemological conditions and procedures that serve as the foundational ideas that guide all historians in their endeavors. Unified by their... more...
- University of Iowa Press 2008; US$ 29.95
Today?s successful plays and playwrights achieve their prominence not simply because of their intrinsic merit but because of the work of mediators, who influence the whole trajectory of a playwright?s or a theatre company?s career. Critics and academic writers are primarily considered the makers of reputations, but funding organizations and various... more...
- University of Iowa Press 2011; US$ 34.95
In 2005 literary and film critic Edward Turk immersed himself in New York City?s ACT FRENCH festival, a bold effort to enhance American contact with the contemporary French stage. This dizzying crash course on numerous aspects of current French theatre paved the way for six months of theatregoing in Paris and a month?s sojourn at the 2006 Avignon... more...
- University of Iowa Press 2011; US$ 59.95
Taking to heart Thomas Heywood?s claim that plays ?persuade men to humanity and good life, instruct them in civility and good manners, showing them the fruits of honesty, and the end of villainy,? Mark Bayer?s captivating new study argues that the early modern London theatre was an important community institution whose influence extended far... more...
- Intellect 2011; US$ 20.00
This title is authored by well known researchers and authors in the field. Notwithstanding the challenges of a limited population size and the struggle to fund such costly forms of screen production as high-end film and television, both of these New Zealand screen industries have been the site of significant expectation, achievement, and cultural influence.... more...
- Scarecrow Press 2011; US$ 48.99
As stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. In Bringing the Body to the Stage and Screen , Annette Lust provides these artists with a program of physical and related expressive exercises that can empower their art with more creativity.... more...
- Palgrave Macmillan 2012; US$ 95.00
This book ranges from refugee camps in Palestine to halting sites of the Irish Travellers and elsewhere in search of a new politics practiced through performance. Written through the intersection of performance and philosophy, the book refutes neoliberalism's depoliticizing and strategic uses of humanitarianism, human rights, and development. more...
- Tectum Verlag 2011; US$ 18.30
Hauptbeschreibung Das in der Nachkriegszeit von Jean Vilar gegründete Festival d'Avignon hat sich bis heute zu einem der bedeutendsten Theaterfestivals Europas entwickelt. Bereits Vilar strebte eine enge Verknüpfung von Stadt und Theaterereignis an. Die heutige Verzahntheit des sommerlichen Avignons mit dem jährlich stattfindenden Festival übersteigt... more...