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Film-making

Most popular at the top

  • Creative Filmmaking from the Inside Outby Jed Dannenbaum; Carroll Hodge; Doe Mayer

    Touchstone 2010; US$ 17.95

    Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights... more...

  • The 21st Century Screenplayby Linda Aronson

    Allen & Unwin 2010; US$ 27.26

    A truly comprehensive overview of the craft of writing for contemporary film and video, by a multi-award winning screenwriter. more...

  • Shooting in the Wildby Chris Palmer; Jane Goodall

    Sierra Club Books 2010; US$ 24.95

    Wildlife and nature films are a hugely popular entertainment genre: networks such as Animal Planet and Discovery are stars in the cable television universe, viewers flock to IMAX theaters to see jaw-dropping footage from the wild, and the venerable BBC still scores triumphs with series such as Planet Earth . As cinematic technology brings ever more... more...

  • Making Moviesby Sidney Lumet

    Knopf Doubleday Publishing Group 2010; US$ 15.95

    From one of America's most acclaimed directors comes a book that is both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on 40 years of experience on movies ranging from Long Day's Journey Into Night to The Verdict , Lumet explains the painstaking labor that results in two hours of screen... more...

  • Make the Cutby Lori Coleman; Diana Friedberg

    Taylor & Francis 2010; US$ 29.95

    Being a successful editor is about more than just knowing how to operate a certain piece of software, or when to make a certain transition. On the contrary, there are many unwritten laws and a sense of propriety that are never discussed or taught in film schools or in other books. Based on their own experiences, first as upcoming assistant editors,... more...

  • Night of the Living Deadby Joe Kane

    Kensington Publishing Corp. 2010; US$ 14.00

    "They're coming to get you, Barbara. . ." These five words unleashed a terrifying movie classic on an unsuspecting public in 1968, stunning audiences with endless nightmares. George A. Romero's Night of the Living Dead raised the bar for onscreen violence. Moviegoers were bludgeoned with horrific scenes of zombies blood-feasting on... more...

  • Storyby Robert McKee

    HarperCollins 2010; US$ 31.99

    Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives... more...

  • Now Write! Screenwritingby Sherry Ellis; Laurie Lamson

    Penguin Group US 2011; US$ 14.95

    An essential handbook featuring never-before-published writing exercises from the acclaimed screenwriters of Raging Bull, Ali, Terminator 2, Fame, Groundhog Day, Cape Fear, "Lost", "True Blood", "The Shield", and many other hit films and television shows. Now Write! Screenwriting -the latest addition to the Now Write! writing guide series-brings... more...

  • iPhone Photography & Video For Dummiesby Angelo Micheletti

    Wiley 2010; US$ 21.99

    Get the most out of your iPhone's camera and video capabilities with this full-color reference! The iPhone's integrated camera is ideal for snapshots and video on the go. Written by a professional photographer and Mac expert, this handy, full-color guide shows you how to get the most out of your iPhone camera's capabilities. Packed with easy-to-understand... more...

  • Rewriting Secrets for Screenwritersby Tom Lazarus; Scott Frank

    St. Martin's Press 2007; US$ 8.99

    Every screenwriter needs to rewrite?more than once, probably many times?to make the story work and then to make a sale. And then again later on, to please producers, studios or stars.  Tom Lazarus--author of ?Stigmata?, among other scripts--is a working screenwriter and professor at UCLA extension.  In this book, he?s distilled his own experience... more...