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- Rutgers University Press 2009; US$ 24.95
It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade,... more...
- Rutgers University Press 2007; US$ 17.00
A smug glance at the seventiesthe so-called Me Decadeunveils a kaleidoscope of big hair, blaring music, and broken politicsall easy targets for satire, cynicism, and ultimately even nostalgia. American Cinema of the 1970s, however, looks beyond the strobe lights to reveal how profoundly the seventies have influenced American... more...
- Rutgers University Press 2007; US$ 17.00
During the 1980s, American cinema underwent enormous transformations. Blockbusters like Raiders of the Lost Ark, E.T., and The Empire Strikes Back grabbed huge revenues for the studios. At the same time, the growth of home video led to new and creative opportunities for independent film production, resulting in many of the decades best films.... more...
- Reaktion Books 2008; US$ 35.00
The masters of Russian arts and letters are a prestigious fraternity that includes such renowned artists as Tolstoy, Rachmaninoff, and Shostakovich. But alongside these luminaries stands a lesser-known but equally revered figure, filmmaker Andrei Tarkovsk more...
- Indiana University Press 2004; US$ 19.95
In Beyond Casablanca, Kevin Dwyer explores the problems of creativity in the Arab and African world, focusing on Moroccan cinema and one of its key figures, filmmaker M. A. Tazi. Dwyer develops three themes simultaneously: the filmmaker's career and films; filmmaking in postcolonial Morocco; and the... more...
- University of California Press 2007; US$ 19.96
This original and compelling book places the body at the center of cinema's first decade of emergence and challenges the idea that for early audiences, the new medium's fascination rested on visual spectacle for its own sake. Instead, as Jonathan Auerbach argues, it was the human form in motion that most profoundly shaped early cinema. Situating his... more...
- Taylor and Francis 2003; US$ 54.95
Shafer's study challenges the conventional historical assumption that British feature films during the Thirties were mostly oriented to the middle-class. Instead, he makes the critical distinction between films intended for West End and international circulation and those intended primarily for domestic, working-class audiences. Far from being alientated... more...
- University of California Press 2003; US$ 15.95
Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only book-length English-language study of Buñuel's Mexican films, this book is the first to explore a significant... more...
- University of Minnesota Press 2007; US$ 25.00
Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this groundbreaking work, eminent scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world. more...