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Motion pictures

Most popular at the top

  • Monsters in the Moviesby John Landis

    DK Publishing 2011; US$ 40.00

    From B-movie bogeymen and outer space oddities to big-budget terrors, Monsters in the Movies by legendary filmmaker John Landis showcases the greatest monsters ever to creep, fly, slither, stalk, or rampage across the Silver Screen! Landis provides his own fascinating and entertaining insights into the world of moviemaking, while conducting in-depth... more...

  • 21st-Century Hollywoodby Wheeler Winston Dixon; Gwendolyn Audrey Foster

    Rutgers University Press 2011; US$ 24.95

    21st-Century Hollywood introduces readers to the global transformations of today's movies and describes the decisive roles that Hollywood is playing in determining the digital future for world cinema. It offers clear, concise explanations of a major paradigm shift that continues to reshape our relationship to the moving image. Filled with numerous... more...

  • Cinema of Outsidersby Emanuel Levy

    NYU Press 1999; US$ 89.00

    A Los Angeles Times Bestseller. The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges... more...

  • Watching Filmsby Karina Aveyard; Albert Moran

    Intellect 2013; US$ 20.00

    Watching Films: New Perspectives on Movie-Going, Exhibition and Reception provides new and compelling insights into the social, cultural and economic factors that influence the circulation, prensentations and consumption of film. This book provides a fresh approach to understanding the rapidly changing nature of modern cinema. more...

  • The Star Wars Heresiesby Paul F. McDonald

    McFarland & Company, Inc., Publishers 2013; US$ 40.00

    Despite the insatiable public appetite for all things Star Wars, the more analytical side of the saga is all too often ignored. This book offers a new way of seeing George Lucas' space opera--particularly the prequel trilogy, a series never given a fair chance because of constant comparisons to the iconic originals. In the classic style of Joseph... more...

  • Screen Actingby Peter Kramer; Alan Lovell

    Taylor and Francis 2014; US$ 43.95

    While not everyone would agree with Alfred Hitchcock's notorious remark that 'actors are cattle', there is little understanding of the work film actors do. Yet audience enthusiasm for, or dislike of, actors and their style of performance is a crucial part of the film-going experience. Screen Acting discusses the development of film acting, from the... more...

  • The End of Cinema?by André Gaudreault; Philippe Marion; Timothy Barnard

    Columbia University Press 2015; US$ 29.99

    Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the “double birth of media,? André Gaudreault and Philippe Marion take a positive look at cinema?s ongoing digital revolution and reaffirm its central place in a... more...

  • The Lumière Galaxyby Francesco Casetti

    Columbia University Press 2015; US$ 29.99

    Francesco Casetti is professor of film and media at Yale University. His most recent book is Film, Experience, Modernity. more...

  • Bollywood's Indiaby Priya Joshi

    Columbia University Press 2015; US$ 29.99

    Priya Joshi is associate professor of English at Temple University. She is the author of In Another Country: Colonialism, Culture, and the English Novel in India, winner of the Modern Language Association's Prize for the Best First Book, the Sonya Rudikoff Prize for best first book in Victorian studies by the Northeast Victorian Studies Association,... more...

  • Film Theoryby Thomas Elsaesser; Malte Hagener

    Taylor and Francis 2015; US$ 45.95

    What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic... more...