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- Taylor and Francis 2015; US$ 140.00
Spectacle is not often considered to be a significant part of the style of ?classical? cinema. Indeed, some of the most influential accounts of cinematic classicism define it virtually by the supposed absence of spectacle. Spectacle in ?Classical? Cinemas: Musicality and Historicity in the 1930s brings a fresh perspective on the role of the spectacular... more...
- Taylor and Francis 2015; US$ 38.95
Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers... more...
- Rutgers University Press 2015; US$ 26.95
The chapters in Acting provide a fascinating, in-depth look at the history of film acting, from its inception in 1895 when spectators thrilled at the sight of vaudeville performers, wild-west stars, and athletes captured in motion to the present when audiences marvel at the seamless blend of human actors with CGI. In six original essays, the contributors... more...
- Indiana University Press 2002; US$ 23.95
Genre, Myth, and Convention in the French Cinema, 1929--1939 examines classic French film, exploring and analyzing the cinema as an institution, the textual system to which it gave rise, and the light that such an approach can shed on the process of production and reception of specific films. Colin Crisp... more...
- Taylor and Francis 2002; US$ 43.95
British Science Fiction Cinema is the first substantial study of a genre which, despite a sometimes troubled history, has produced some of the best British films, from the prewar classic Things to Come to Alien made in Britain by a British director. The contributors to this rich and provocative collection explore the diverse strangeness of British... more...
- Taylor and Francis 2002; US$ 42.95
New Documentary: A Critical Introduction provides a comprehensive account of the last two decades of documentary filmmaking in Britain, the US and Europe. Stella Bruzzi's engaging textbook discusses key genres, filmmakers, and issues for the study of non-fiction film and television, including: * key texts such as the Zapruder film of Kennedy's assassination,... more...
- Crown/Archetype 2002; US$ 19.00
America?s most trusted and best-known film critic Roger Ebert presents one hundred brilliant essays on some of the best movies ever made. For the past five years Roger Ebert, the famed film writer and critic, has been writing biweekly essays for a feature called "The Great Movies," in which he offers a fresh and fervent appreciation of a great... more...